
What a thrill to see a costume piece with moderately contemporary dialog. Charles Hampton's adaptation of Choderlos de Laclos' "Les Liaisons Dangereuses" premiered during the height of theatrical decedance in the 1980s. Razor sharp wit borrowed from Laclos' 18th century epistolary novel about sexual conquest among bored aristocrats make this an extremely titillating and provocative piece. Just reading the text is tickling enough. The play garnered critical praise on Broadway, and was followed by an even more successful film starring Glenn Close and John Malkovich.
AshtonRep bites off a bit more than they can chew with their current production at the Raven Theatre in Edgewater. The problem with this production is casting. The role of the conniving Marquise de Merteuil is played with cool dignity by Sarah Pavlak McGuire, her composed cruelty is fascinating to watch. Unbalanced co-star and AshtonRep founder Robert Tobin takes up the role of Valmont. It's imperative that Valmont be a suave casanova, one who ebbs sex appeal. Tobin is neither. He also tends to misplace the dialog. He often delivers his lines with a confusing modern inflection on purposefully crafted antiquated phrasing.
Director Charlie Marie McGrath makes an interesting choice by changing the time period from pre-revolutionary France to pre-revolutionary Russia. Though, for what reason? Hampton's script leaves the audience with a powerful image conjured by projecting the silhouette of a guillotine on the background. It feels like a missed opportunity not to give this play the full depth it needs. The staging is well-conceived, running with the idea of a chamber drama, having the curtains drawn to accent scenes like storybook chapters.
All in all, AshtonRep presents a faithful production of "Les Liaisons Dangereuses." It's an ambitious play for an emerging theatre company to take on, but there is a great deal of chemistry between the female ensemble here. Hampton's script is sturdy and holds up well in an era in which most people are more familiar with the teenage re-telling "Cruel Intentions."
Through June 21st. The West Stage at Raven Theatre Complex. 6157 N Clark St. 773-828-9129
The Scottish city of Glasgow wallows in economic depression, as this laborer’s family struggles through the hardships of basic survival. “All we’ve done wrong is to be born into poverty,” the father says in comforting the overworked wife wrapped in his arms. A crash look into the real housewives of Glasgow circa 1930, overcrowded and unsanitary apartments, unfaithful relationships, being unemployed and broke, rebellious teenagers, and human rights verse human cruelty clash in this epic three-act play at Edgewater’s Raven Theatre.
A complex tale of interweaving lives, Robin Witt impeccably directs a strong cast in the creation of this fast-moving family drama, sure to be a summer hit! Touching on many modern issues, this story carries its audience through a roller coaster of fears and tenderness: the joys of raising children, the sorrows of disaster befalling loved ones. Family, even society, pull together as economic struggles break them apart.
Especially touching is the graceful performance of Lori Myers playing Maggie Morrison, the matriarch who leads her family through this desperate saga. She clings to love although gossip, fighting, rejection, and illness nearly break her heart in two. A masterful portrayal, Myers carries the show with a touch of genius, inviting the audience to share her trauma and rejoice in her triumphs.
Great talent work in Chicago, nowhere more so than in this production. A slice of life, featuring excellent costuming by Kate Murphy and ingenious audio effects by Victoria Deiorio contribute to making this charming production an evening that leaves its audience with hope and enjoyable entertainment.
Griffin Theatre Company’s Men Should Weep runs July 5 to August 10 at 7:30pm at the Raven Theatre Complex, 6157 N Clark St in Chicago. The show runs 2:40 with two 10 minute intermissions. Tickets are available at www.griffintheatre.com or by calling 866-811-4111.
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