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Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age, life doesn’t lose its spark—it merely shifts to a new rhythm, one filled with laughter, camaraderie, and unexpected joys. This delightful offering beautifully showcased the vibrant lives that still await us in our twilight years, proving that fun and bond know no age limit. 

Radiating vibrancy and warmth, this production showcases the spirited lives of its characters who discover purpose and happiness in life’s simplest yet most impactful moments. More than just a theatrical presentation, it’s a heartfelt and uplifting depiction of aging with grace, infused with humor and emotional depth.

Paul Stroili's A Jukebox for the Algonquin stands out as a true treasure of the stage, effortlessly blending sharp humor with heartfelt emotion in a celebration of the intricate tapestry of life. Transporting audiences to the delightful Placid Pines Senior Care Center in upstate New York, this play radiates with originality and charm. It introduces us to a spirited ensemble of senior residents who, driven by a nostalgic longing for their youth, devise an unexpectedly daring scheme to fund their dream of owning a jukebox—by selling marijuana. Yep! And let’s just say that the journey is as wildly entertaining as it is endearing.

The jukebox emerges as a powerful symbol, resonating far beyond this specific story. It reflects a hope from the struggles of many residents who, isolated and yearning for connection, are left grappling with a lack of stimulation, music, and activities. These individuals are confined to neglected, unrenovated sections of sprawling senior complexes, spaces that corporate priorities have relegated to the margins. This pattern has become disturbingly prevalent, as corporate-driven changes focus on enhancing facilities for wealthier, younger seniors, while leaving lower-income, older residents behind. At Placid Pines, this disparity is starkly evident: the entertainment room offers little more than a fish tank with dying fish and shelves stocked with donated books—the heartfelt contribution of a single paralyzed resident, whose spirit reflects the quiet resilience of the overlooked community. 

With vividly drawn characters, sharp and vibrant dialogue, and deeply touching moments, Stroili explores themes of enduring friendship, unwavering resilience, and the determination to transcend the boundaries of age. The play shines in its remarkable ability to uncover life’s beauty and humor in the most unexpected places. The camaraderie and ingenuity of the residents will have you laughing out loud, shedding a tear, and cheering them on throughout their unforgettable adventure.

Helmed by Director Scott Westerman, this Chicago Theatre debut is sure to touch your heart. Set within the lively recreation room of the Placid Pines Senior Care Center, this production sparkles with energy and charm, brought to life by a vibrant cast of residents, each with personalities as dynamic as the tunes on a jukebox. Leading the charge is Kenneth Johnson as Johnny, an exuberant Yankees enthusiast and the driving force behind the gang’s mission to acquire a jukebox. Johnson’s effervescent energy and magnetic stage presence make Johnny both endearing and immensely enjoyable to watch.

Adding depth and balance to the production is Bob Sanders in the role of Dennis, Johnny’s steadfast best friend and the voice of reason amidst the group’s lively escapades. Sanders delivers a warm and nuanced performance, anchoring their dynamic with sincerity and poise. Ellen Phelps lights up the stage as Annie, her lively and animated personality adding flair and excitement to every scene she graces. Elizabeth Rude completes this delightful ensemble as Peg, capturing the role with subtle charm and a compelling presence. Together, these four seasoned actors weave a narrative rich in humor, camaraderie, and heart, crafting a performance that is simply captivating.

Bringing a humorous twist to the story is Patrick Thornton as Chuck, the janitor affectionately referred to as the “dust mop guy.” Thornton’s charismatic and witty portrayal adds moments of lighthearted fun that resonate effortlessly with the audience. Rounding out this exceptional cast are Karla Corona and Joshua Thomas, who embody Placid Pines staff members with finesse, seamlessly bridging the interactions between the spirited residents and enriching the production with their well-rounded performances.

This ensemble delivers a performance that is not just entertaining but genuinely heartwarming, showcasing a narrative filled with humor, passion, and a sense of community. With their skillful portrayals, they transform the recreation room of Placid Pines into a vibrant stage where laughter, drama, and connection take center stage.

I found it especially moving how the production cleverly employed the jukebox as a symbol for life’s playlist. Much like the selections we make on a jukebox, we can choose our moments, embrace our decisions, and immerse ourselves in the harmonies of both our past and present. Citadel has masterfully created a work that strikes a chord, offering the audience a fresh perspective on the richness of life’s adventures and the bonds that can thrive in its later chapters.

A Jukebox for the Algonquin is a touching tribute to friendship, community, and the timeless spark that fuels our lives, no matter our age. It beautifully prompted me to reflect on the richness of life’s later chapters, highlighting the joy of embracing them with curiosity and a zest for living. This production is an absolute delight and a perfect pick for anyone in search of inspiration and heartwarming entertainment.

Currently being performed at the Citadel Theatre in Lake Forest, this production is a must-see for theater enthusiasts. The Citadel Theatre's intimate setting and exceptional cast bring Stroili's vision to life, making A Jukebox for the Algonquin an unforgettable theatrical experience. It’s not just theater—it’s a triumph. This joyous and moving exploration of life’s complexities leaves audiences with a renewed appreciation for the enduring vibrancy of the human spirit. What an absolutely wonderful play!

Performance Schedule: April 18 – May 18, 2025

  • Previews: April 16 & 17, 2025, at 7:30 PM
  • Regular Performances:
    • Thursdays, Fridays, Saturdays at 7:30 PM
    • Sundays at 3:00 PM
    • Wednesdays at 1:00 PM (April 23, April 30, May 7)

Newly Added Dates:

  • Wednesday, April 30, 2025, at 1:00 PM
  • Saturday, May 17, 2025, at 2:00 PM

For tickets and/or show information, click here

 *Extended through May 25th

*This review is also featured on https://www.theatreinchicago.com/!

Published in Theatre in Review

Following a string of successful shows, Music Theater Works has once again hit the jackpot with their 2025 season opener, Guys and Dolls. This delightful production is currently wowing audiences at the North Theatre at the North Shore Center for the Performing Arts. With infectious tunes and clever lyrics by Frank Loesser, and a sharp script by Jo Swerling and Abe Burrows, the show is skillfully directed by Sasha Gerritson. Add to that the vibrant choreography by Clayton Cross and the expert musical direction by Linda Madonia, and you've got a performance that's guaranteed to keep you coming back for more!

Guys and Dolls is a timeless musical comedy that transports audiences to the bustling streets of 1950s New York City. The plot centers around the dynamic lives of several characters, particularly Nathan Detroit, a gambler running an underground dice game, and his enduring fiancée, Miss Adelaide, a nightclub singer longing for Nathan to finally marry her. To fund his next game, Nathan bets Sky Masterson, a high-stakes gambler, that he can't charm Sarah Brown, a virtuous mission worker. Sky takes up the challenge, and through a series of delightful and engaging interactions, he gradually wins Sarah's heart.

As the story unfolds, the characters become woven into a rich tapestry of love, deceit, and redemption. Sarah uncovers Sky's original motives but forgives him as they both realize their deepening love for each other. Meanwhile, Nathan's efforts to keep his dice game hidden lead to a blend of comedic and thrilling situations. The musical reaches a heartwarming and joyous climax, with Nathan marrying Adelaide and Sky and Sarah starting a promising new chapter together. Featuring memorable songs, lively dance routines, and a touching storyline, Guys and Dolls remains a beloved and timeless treasure in the world of musical theatre.

This well-cast ensemble driven production has an array of bright and talented actors that make this such a memorable adventure. Callen Roberts finesses the role of Nathan Detroit to perfection - a gambler who runs an illegal dice game and is engaged to Miss Adelaide. Roberts truly embraces his fast-talking, hustling persona, transforming the character into one of the show's key anchors and a standout presence. Jeffrey Charles is spot on as Sky Masterson, the suave gambler who wagers he can charm Sarah Brown, while Kristin Brintnall steals the spotlight as Miss Adelaide, Nathan's fiancée. Her blend of comedic timing and stellar vocals brings the nightclub singer's longing for a settled life to life brilliantly. Cecilia Iole shines Sarah Brown, a mission worker who becomes the object of Sky's bet but eventually falls for him. Iole’s vocals are nothing short of spectacular. A round of applause also goes out to the rest of the ensemble, who contribute to making this musical the delightful experience it is meant to be. Andrew Freeland brings down the house as Big Julie, serving up some of the show’s biggest belly laughs. Shoutouts are also well-earned by Ian Reed, Carey Lovett, Caron Buinis, Bob Sanders, and Peter Ruger, who each bring their own flair to the stage. And let’s not forget the dazzling Hot Box Girls—Jenny Couch, Catherine Rodriguez O’Connor, Emily Holland, and Emma Jean Eastland—who light up the stage with their sensational moves. These ladies can really dance! The entire cast? Absolutely top-notch.

(L to R) Jenny Couch, Catherine Rodriguez O’Connor, Kristin Brintnall, Emily Holland and Emma Jean Eastland in GUYS AND DOLLS, from Music Theater Works.

One of my absolute favorite things about the show was its incredible Times Square neighborhood set—it felt like you were right in the heart of the action! But what truly stole the spotlight was the eight-piece band playing up above for everyone to admire. Talk about a show-stopping touch! Equally impressive was how choreographer Clayton Cross utilized the stage space to accommodate such a large cast, creating a busy New York feel with heavy people traffic and such elaborate dance numbers.

Guys and Dolls is a must-see production that brings the vibrant streets of 1950s New York City to life with its captivating characters and delightful musical numbers. With unforgettable songs like "Luck Be a Lady," “A Bushel and a Peck,” and "Sit Down, You're Rockin' the Boat," this show is guaranteed to have you tapping your toes and humming along. Don't miss the chance to experience the magic, humor, and heart of this timeless classic—it's a theatrical gem that promises an evening of pure entertainment!

This might be the first production of the year, but plenty of action lies ahead for Music Theater Works. The 45th season lineup also features the following upcoming shows: Fiddler on the Roof from August 7 to 17, Godspell from October 23 to November 16, and Annie from December 18, 2025, to January 4, 2026.

Guys and Dolls is currently being performed at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd, Skokie and runs through March 30th. For tickets and/or more show information, visit www.MusicTheaterWorks.com.

Highly Recommended!

 

Featured on https://www.theatreinchicago.com/

Published in Theatre in Review

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