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Buzz Center Stage

Buzz Center Stage

Chicago, IL — The Black Arts & Culture Alliance of Chicago (BACA) has announced the winners of the 2025 Black Excellence Awards, honoring and celebrating Chicago theatre, dance, music, film, literary, and visual artists. The 24th annual event was held on Monday, November 3, 2025, at Black Ensemble Theater, 4450 N. Clark St. in Chicago.

Throughout the evening, Special Honor Awards were presented to: Pemon Rami (Excellence in Film); Eve L. Ewing (Excellence in Literature); and Professor Roxanne Stevenson (Excellence in Music and Music Education).

The complete list of 2025 Black Excellence Awards winners is as follows:

Dance

  • Outstanding Achievement in Dance – Overall Performance: Praize Productions - Complexions
  • Outstanding Achievement in Dance – Choreographer: Rasheida Smith, Love Jones - Move Me Soul

Literature

  • Excellence in Community Engagement – Literature: The Underground Bookstore

Music

  • Outstanding Achievement in Music – Male Performer: Gregory Gibbs
  • Outstanding Achievement in Music – Female Performer: Lucy Smith

Theater

  • Outstanding Achievement in Theater – Production: If You Think You're Lonely Now - Theater 47
  • Outstanding Achievement in Theater – Director: Daryl D. Brooks, That's What Friends Are For: Gladys, Dionne, and Patti - Black Ensemble Theater
  • Outstanding Achievement in Theater – Male Performer: Ronald L. Conner, Fat Ham - Definition Theatre
  • Outstanding Achievement in Theater – Female Performer: Rhonda Preston, Blue Eyed Soul Song by Brown Eyed People - Black Ensemble Theater
  • Special Recognition Theater – Director: Malika Stampley, Primary Trust - Goodman Theatre
  • Special Recognition Theater – Performer: Gregory Fenner, Topdog/Underdog - The Gift Theatre

 

Visual Arts

  • Outstanding Achievement in Visual Arts – Artist: Dayo Layo - "Watercolors"
  • Outstanding Achievement in Visual Arts – Gallery Exhibition: Faie African Art Gallery

 

Special Honor Awards:

  • Special Recognition Excellence in Literature – Fiction: Eve L. Ewing
  • Special Recognition Excellence in Film: Pemon Rami
  • Special Recognition for Excellence as a Music Director and Jazz Educator: Professor Roxanne Stevenson

About The Black Arts & Culture Alliance of Chicago

The mission of the Black Arts & Culture Alliance of Chicago is to collectively advance excellence in the work of the Black arts and culture sector. The Alliance works to increase interaction, communication and development of black arts organizations and artists, while delivering programs that increase their visibility, marketability, stability, and sustainability.

Founded in 1997 as the African American Arts Alliance of Chicago and rebranded the

Black Arts & Cultural Alliance of Chicago (BACA) in 2023, BACA offers a diverse range of events and programs that celebrate the rich heritage of the Black arts community in Chicago. Events and programs are designed to engage, educate, and inspire individuals (artists and patrons) who are passionate about Chicago's Black arts and culture.

With new leadership in November 2024, the organization has been reorganized and revitalized, including a return to its original mission and a new focus in building the Board and programming, increasing membership, and creating websites that appropriately support BACA's mission and purpose.

BACA is going strong after 28 years, with a full slate of events and programs celebrating the rich heritage of the Black arts community in Chicago.

In August 2025, BACA launched the Black Arts Directory of Chicago to serve as a vibrant online hub for African American and minority performing arts and culture in Chicago and beyond. The directory spotlights theatre, dance, music, and cultural events to celebrate rich artistic traditions. BACA prioritizes connecting audiences with diverse cultural experiences, showcasing the talents of Black and Brown artists that showcase the dynamic ingenuity and creativity of Chicago's Black artists and organizations. It celebrates the rich narratives, historical relevance and artistic expressions that define African American and minority performing arts.

To find out more and view the Black Arts Directory visit https://www.blackartsdirectory.org/. The Black Arts Directory is made possible by an Arts Recovery Program grant from the City of Chicago Department of Cultural Affairs and Special Events.

The BACA staff is Executive Director Luther Goins, Grants Writer & Development Manager Ilesa Duncan, and PR, Marketing & Design Director Doc Wheeler. The Board of Directors includes President Jackie Taylor, Vice President Sydney Chatman, and members Cheryl Lynn BruceTroy O. PryorPortia McFarlandWilliam GillEricka RatcliffShawn Wallace, Daryl D. Brooksand Roxanna Conner.

Upcoming BACA Events and Programs include:

 

Martin Luther King Celebration: The Black Arts & Culture Town Hall

January 19, 2026

This celebration and panel discussion honors the life and legacy of Dr. Martin Luther King Jr. and discusses the challenges and commonalities faced by Black artists and arts organizations and will launch the 2026 Black to Black Workshop Series.

Black to Black Series: Entertainment Business for the Black Artist

March 2026

Workshops

Black to Black Series: Working & Thriving in Chicago

May 2026

Panel Discussion

Cookout In The Blackyard Summer Networking Event

August 2026

Join BACA for an amazing networking opportunity featuring barbecue, drink, music, and fun.

Black to Black Series: History & Fundamentals of Black Organizations

October 2026

Workshops & Auditions

 

Black Excellence Awards

November 2026

Black Arts Hall of Fame 2026

November 2026

About Black Arts & Culture Alliance of Chicago (BACA)
The mission of the Black Arts & Culture Alliance of Chicago is to collectively advance excellence in the work of the Black arts and culture sector. The Alliance works to increase interaction, communication and development of black arts organizations and artists, while delivering programs that increase their visibility, marketability, stability, and sustainability.

For tickets, event updates, and more information about the Black Arts and Culture Alliance of Chicago, visit https://www.bacachi.org/.

Music Theater Works is proud to announce the cast and creative team for the third production of its 2025 season, Godspell, sponsored by the Whirled Peas Foundation and presented in partnership with Curt’s Café, in the North Theatre at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd, Skokie, October 23 - November 16. Godspell, with music and lyrics by Stephen Schwartz and book by John Michael Tebelak, is directed by Matthew Silar, choreographed by Amanda Hope and music directed by Justin Kono. The production includes a preview performance Thursday, Oct. 23 at 7:30 p.m. with a press opening Friday, Oct. 24 at 7 p.m. The schedule is Wednesdays at 2 p.m., Fridays at 7:30 p.m., Saturdays at 7:30 p.m., Sundays at 2 p.m., with additional performances on Saturdays, Nov. 1, Nov. 8 and Nov. 15 at 2 p.m. Tickets are now on sale from $19.50 to $106 with tickets for guests 25 years old and younger available at half-price at MusicTheaterWorks.com or by calling the Music Theater Works box office at the North Shore Center, 847.673.6300. Group discounts are also available for groups of 10 or more by contacting 847.920.5360.

Day by day for more than 50 years, audiences have delighted in this modern musical fable. Godspell  weaves together music, improv and infectious pop and rock songs including the hits “Day by Day,” “Prepare Ye the Way of the Lord,” “O Bless the Lord My Soul” and more. This Godspell finds a fractured and disconnected community gathered at a local coffee shop discovering the transformative power of forgiveness and embracing radical love. 

The cast of Godspell includes, in alphabetical order: P-Jay Adams (she/they, ensemble/U/S); Brandon Acosta (he/him, ensemble/U/S); Diana Marilyn Alvarez (she/they, swing); Maxwell J DeTogne (he/him, Maxwell, U/S Jesus); Tafadzwa Diener (Tafadzwa, she/her); Kaitlin Feely (Kaitlin, she/her); Emily Holland (she/her, ensemble/U/S); Nicholas Ian (Nicholas, any); Jenna Makkawy (she/they, ensemble/U/S); Dani Pike (Dani, she/her); Connor Ripperger (Connor, he/they); Concetta Russo (Concetta, she/her); Jacob Simon (he/they, John the Baptist/Judas); Ethan Smith (he/him, ensemble/U/S John the Baptist/Judas); Eldon Warner-Soriano (he/him, Jesus); Ben Woods (Ben, he/him) and Alex Villaseñor (swing, he/him).

Godspell’s orchestra includes Justin Kono (he/him, conductor/drums); Linda Madonia (she/her, piano); Kyle Paul (he/him, guitars) and Marcel Bonfirm (he/him, bass).

Godspell’s creative team is Matthew Silar (he/him, director); Amanda Hope (she/her, choreographer); Justin Kono (he/him, music director); Becca Holloway (she/her, asst. director); Amber Wuttke (she/her, intimacy & violence choreographer); Kathy Logelin (she/her, dialect coach); Blue Darner Dupuis (they/them, stage manager); Carolyn Goldsmith (she/her, asst. stage manager); Bob Knuth (he/him, scenic designer); Nga Sze Chan (she/her, props designer); Kristen Brinati (she/her, costume designer/wardrobe crew); Melanie Saso (she/her, hair, wig, makeup designer); Levi J. Wilkins (he/him, lighting designer); Chelsea Lynn (she/her, board programmer); Forrest Gregor (he/him, sound designer); Mitchell Finger (technical director); Will Hughes (he/him, Andersonville Scenic Studios) and Ben Lipinski (any, Andersonville Scenic Studios).

“Behind the Curtain with Thomas M. Shea”

Immediately following the Sunday, Oct. 26 and Nov. 2 matinees, audiences may join musical theater historian Thomas M. Shea, author of “Broadway’s Most Wanted,” for a post-show talk exploring the behind-the-scenes history of Godspell.

Binny’s Broadway Lounge

Music Theater Works’ Donors of any level and subscribers are welcome to access Binny’s Broadway Lounge before the performance and at intermission of Godspell. Binny’s Broadway Lounge, sponsored by Binny’s Beverage Depot, is located on the second floor at the North Shore Center for the Performing Arts in Skokie and offers complimentary drinks and snacks and does not require reservations. The Lounge is available during Godspell, Wednesday, Oct. 29 (opens at 1 p.m.) and Saturday, Nov. 1 (opens at 6:30 p.m.).  

ASL Interpreted Performance

The Saturday, Nov. 8 at 7:30 p.m. performance will be ASL interpreted.

Curt’s Café Day at Godspell

At the Sunday, Nov. 9 at 2 p.m. performance of Godspell, Music Theater Works will celebrate Curt’s Café and its mission including hosting representatives of Curt’s Café to discuss Curt’s impact has had on youth for more than a decade at a discussion immediately following the matinee. 

ABOUT MATTHEW SILAR, DIRECTOR

Matthew Silar is a Chicago-based director, stage manager and acting coach. Recent Chicago directing credits include Citadel Theatre’s productions of She Loves Me (Jeff Nomination) and Little Shop Of Horrors, as well as Daddy Long Legs (Awaken Theatre). Other directing credits include AnnieThe Spongebob Musical and Matilda The Musical (Firehouse Theatre), Kate Fodor’s 100 Saints You Should Know, Lee Blessing’s Two Rooms (Acu) and a slew of educational productions. He’s worked across Chicagoland and the country as an AEA stage manager including Paramount Theatre, Marriott Theatre, Skylight Music Theatre, The Rev Theatre Company, and more. He holds a BFA in theatre directing from Abilene Christian University and is a proud associate member of the Stage Directors and Choreographers Society. 

ABOUT JUSTIN KONO, MUSIC DIRECTOR

Justin Kono is a drummer, percussionist, pianist, arranger, orchestrator and conductor of uncommon range. Recent Music Theater Works credits include Little Shop of Horrors, Legally Blonde: the Musical and Shrek (drums and electronic music design) and Pippin (music direction, conductor, drums and electronic music design). Other recent credits include the Chicago company of Titanique (drums and electronic music design) by Porchlight Music Theatre and Rock of Ages and Jersey Boys with Mercury Theater (drums, electronic music design). Kono has also played at Drury Lane Oakbrook, many Porchlight Music Theatre shows and events, Teatro ZinZanni and the Marriott Theater, where he will be the local cover for the role of “Fluke” in Million Dollar Quartet Christmas this coming holiday season. In addition to theater activities, he is a music director and accompanist at First Congregational Church in Downers Grove and the handbell choir director at First United Methodist Church of Downers Grove. 

Music Theater Works 2025 Season

The 45th season concludes with AnnieDecember 18, 2025 - January 4, 2026. For more information on the 45th season go to MusicTheaterWorks.com

Music Theater Works 2026 Season

The 46th season opens with CATS, March 5 - 29, 2026 and is followed by West Side Story, August 3 - 30, 2026. The season will continue with Jimmy Buffet’s Escape to Margaritaville, October 8 - November 1, 2026 and concludes with Hairspray, December 17, 2026 - January 3, 2027. Current members may renew for the 2026 season now with new memberships available beginning Wednesday, Oct. 1 at 12 p.m. and single tickets for all the 2026 productions will go on sale Wednesday, Jan. 14, 2026 at 12 p.m. For more information on the 46th season go to MusicTheaterWorks.com. 

ABOUT CURT’S CAFÉ

Curt’s Café is a 501(c)(3) nonprofit organization that offers workforce training, life skills and supportive resources to young adults (ages 15 – 24) who are experiencing or are at risk of homelessness, involvement with the justice system or other challenges. Curt’s Cafe has two fully operating cafés, offering a variety of breakfast, lunch, coffee drinks and catering services located in Highland Park and Evanston to serve both Lake County and Cook County.

Curt’s was established in 2012 and has served over 650 students since opening. The students are creating better futures—and community support drives that change. To learn more about Curt’s Café, please visit CurtsCafe.org or follow them on social @curtscafe.

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in

1980. During its 45-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. 

The Godspell production sponsor is Whirled Peas Foundation.

Music Theater Works presents

Godspell

October 23 - November 16

North Theatre

North Shore Center For The Performing Arts In Skokie

9501 Skokie Blvd.

Skokie, IL 60077

Music and Lyrics by Stephen Schwartz

Book by John Michael Tebelak

Directed by Matthew Silar

Choreographed by Amanda Hope

Music Directed by Justin Kono

Show dates and times:

Thursday, Oct.  23 – 7:30 p.m. – Preview

Friday, Oct. 24 – 7 p.m. – Press Performance

Saturday, Oct.  25 – 7:30 p.m.

Sunday, Oct.  26 – 2 p.m. – Talk Back with Thomas M. Shea

Wednesday, Oct.  29 – 2 p.m. – Binny’s Broadway Lounge (opens at 1 p.m.)

Friday, Oct.  31 – 7:30 p.m.

Saturday, Nov. 1 – 2 p.m. 

Saturday, Nov. 1 – 7:30 p.m. – Binny’s Broadway Lounge (opens at 6:30 p.m.)

Sunday, Nov. 2 – 2: p.m. – Talk Back with Thomas M. Shea

Wednesday, Nov. 5 – 2 p.m.

Friday, Nov. 7 – 7:30 p.m.

Saturday, Nov. 8 – 2 p.m.

Saturday, Nov. 8 – 7:30 p.m. – ASL Interpreted performance

Sunday, Nov. 9 – 2 p.m. - Curt’s Café Day

Wednesday, Nov. 12 – 2 p.m.

Friday, Nov. 14 – 7:30 p.m.

Saturday, Nov. 15 – 2 and 7:30 p.m.

Sunday, Nov. 16 – 2 p.m.

Tickets: $19.50 to $106, tickets for guests 25 years old and younger are available for half- price.

Music Theater Works Box Office: (847) 673-6300

Website: MusicTheaterWorks.com

Total Running Time, including intermission, (currently): Two hours and 10 minutes

Producing Artistic Director Kyle A. Dougan and Music Theater Works are proud to announce its 46th season. The 2026 season at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd. includes Cats, March 5 - 29, 2026West Side Story, August 13 - 30, 2026Jimmy Buffett’s Escape To Margaritaville, October 8 - November 1, 2026, and Hairspray, December 17, 2026 - January 3, 2027West Side Story and Hairspray are performed at the George Van Dusen Theatre to showcase these legendary scores with a larger orchestra while CATS and Jimmy Buffett’s Escape to Margaritaville will be in the North Theatre where Music Theater Works reimagines shows to fit that more intimate space. Current members may renew for the 2026 season now with new memberships available beginning Wednesday, Oct. 1 at 12 p.m. and single tickets for all the 2026 productions will go on sale Wednesday, Jan. 14, 2026 at 12 p.m. For more information on the 46th season go to MusicTheaterWorks.com

“This year’s season we look forward to taking audiences to new heights and worldwide locations with classics and contemporary works,” said Producing Artistic Director Kyle A. Dougan. “From the memorable CATS brought to life in all its glory in an British flat to New York City with the beloved West Side Story, to a sun lit paradise found in Jimmy Buffet’s Escape to Margaritaville and then to Baltimore to meet a young woman on a mission in Hairspray, this 46th season will have audiences celebrating the majesty and marvel that is found in music theatre and dancing in the aisles.”

The Music Theater Works 2026 season includes:

CATS

North Theatre

March 5 - 29, 2026

Press Opening: Friday, March 6 at 7 p.m.

Music and Lyrics by Andrew Lloyd Webber

Directed and Choreographed by Mandy Modic

Music Directed by Linda Madonia

Music Theater Works kicks off its 46th season with CATS, Andrew Lloyd Webber’s electrifying, Tony Award-winning musical. In this immersive production set in a larger-than-life British flat, audiences may join the magical and all encompassing world of the Jellicle Cats as they gather for the annual Jellicle Ball, where one will be chosen for a new life. Through a series of dazzling musical numbers, each cat shares their story— from the mischievous Rum Tum Tugger, to the mysterious Macavity and the once-glamorous Grizabella. Featuring unforgettable songs, breathtaking choreography and a whimsical atmosphere, CATS is a celebration of life, community and the power of memory.

 
 

WEST SIDE STORY

George Van Dusen Theatre

August 13 - 30, 2026 

All performances include Spanish supertitles

Press Opening: Friday, Aug. 14 at 7 p.m.

Book by Arthur Laurents

Lyrics by Stephen Sondheim

Music by Leonard Bernstein

Directed by Sasha Gerritson

Assistant Directed by Gisella Milla

Choreographed by Clayton Cross and Isa Ramirez

Assistant Choreographed by Alex Villasenor

Music Directed by Linda Madonia

Spanish Translation by David Serrano

A timeless tale of love and rivalry, West Side Story brings Shakespeare’s Romeo and Juliet to the streets of 1950s New York. Caught between the tensions of two warring gangs—the Jets and the Sharks—Tony and Maria find themselves drawn to each other despite the violence that surrounds them. Featuring iconic songs like “Tonight,” “America” and "Somewhere,” West Side Story remains one of the most powerful and enduring musicals of all time.

JIMMY BUFFETT’S ESCAPE TO MARGARITAVILLE 

North Theatre

October 8 - November 1, 2026

Press Opening: Friday, Oct. 9 at 7 p.m.

Book by Greg Garcia and Mike O'Malley

Music and Lyrics by Jimmy Buffett

Directed and Choreographed by Brenda Didier 

Music Directed by Linda Madonia

Music Theater Works presents the first professional production of Jimmy Buffet’s Escape to Margaritaville in Chicago since its pre-Broadway run. Set sail for a tropical getaway with this feel-good musical packed with island vibes and beloved Buffett classics. This lighthearted romantic comedy follows Tully, a laid-back island singer, and Rachel, a career-focused tourist, as their worlds collide at a beachfront resort. With a story about adventure, self-discovery and living life to the fullest, Escape to Margaritaville is the ultimate musical vacation for Parrot Heads and newcomers alike.

 
 

HAIRSPRAY

George Van Dusen Theatre

December 17, 2026 - January 3, 2027

Press Opening: Friday, Dec. 18 at 7 p.m.

Directed by Keely Vasquez

Choreographed by Reneisha Jenkins

Music Directed by Linda Madonia

Full of heart and 1960s flair, Hairspray follows Tracy Turnblad, a big-dreaming teen who lands a spot on “The Corny Collins Show.” But when she sees injustice in Baltimore, she sets out to integrate the dance floor, proving one girl can make a difference. With infectious songs like “Good Morning Baltimore” and “You Can’t Stop the Beat,” this musical makes the perfect closer to Music Theater Work’s 46th season: it is a joyful celebration of acceptance, self-love and standing up for what’s right.

*Performances and creative teams subject to change. 

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in

1980. During its 46-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. The company uses collaborations among theaters, other artistic disciplines, social service agencies, local business, educational institutions and others to create music theater for the 21st century.

Chicago - Jackie Taylor, the author of more than 100 plays and musical bios, thousands of poems, a screenplay, and two books, has been selected as the Chicago Literary Hall of Fame’s 2025 Fuller Award recipient in honor of her lifetime achievements. Taylor will be celebrated at a ceremony on Monday, October 20, at her Black Ensemble Theater (4450 N. Clark Street). Registration is open. Presenters will include Jeff Award-winning director Daryl Brooks, UIC Associate Professor of Theatre Lydia R. Diamond, poet and author Haki Madhubuti, and Harvey Young, Dean of the College of Fine Arts at Boston University. The American Writers Museum is a major partner in the program. 

The Chicago Literary Hall of Fame selection committee consisted of past Fuller Award recipient Patricia Smith, Linda Bubon, Yoland Nieves, Ugochi Nwaogwugwu, and Keehnen Owens. During the stringent selection process, the committee considered dozens of outstanding candidates, evaluating the quality of their literary output, the strength of their Chicago connections, and their greater contributions to Chicago’s literary life.

Born August 10, 1951 in Chicago, Taylor was raised in the Cabrini Green housing project. Taylor founded Black Ensemble Theatre in 1976, a year after she made her Hollywood acting debut in the now classic film Cooley High.  

Taylor majored in theater with an education minor, and after earning her B.A. from Loyola University in 1973, she began working with Free Street Theater. In addition to her acting break in 1975's Cooley High she produced and starred in television and film - as well as in theatrical productions with such companies as the Goodman Theater, Organic Theater and Victory Gardens Theater. Early in her career, Taylor concluded that Hollywood’s depiction of African Americans would continue to be largely negative, which led to her to found Black Ensemble Theater, according to her biography at History Makers. Since the start, Taylor has written, produced, and directed stories that cut across racial and cultural lines. Her mission, she says, is to bring people together.

Among Taylor’s many writing credits are The Other Cinderella, The Hoochie Coochie Man: Muddy Waters (co-written with Jimmy Tillman), The Marvin Gaye StoryThe Jackie Wilson StoryAll In Love Is Fair, I Am Who I Am (The Story of Teddy Pendergrass), Don’t Make Me Over (The Story of Dionne Warwick), Don’t Shed A Tear (The Billie Holiday Story), Somebody Say Amen, At Last: A Tribute To Etta James, and Precious Lord Take My Hand. She has had featured roles in several major films, including Hoodlum, Barbershop 2, The Father Clements Story, Losing Isiah and To Sir With Love: Part 2, and worked with such greats as Sidney Poitier, Laurence Fishburne, Vanessa Williams, Bill Dukes, Glynn Thurman, and Lawrence Hilton Jacobs.  


In 2010, Taylor broke ground on a new 20-million-dollar Black Ensemble Theater Cultural Center, which opened on November 18, 2011. The Free To Be Village development, introduced in 2023, aims to expand the existing campus, in part to offer affordable housing to artists in the community and establish an education program. The project’s goal is to reinforce and grow the theater’s mission of reducing inequality in the arts. 

Taylor earned a master’s degree in education and receive an honorary doctorate degree from DePaul University. She has worked for the Chicago Board of Education, the Illinois Arts Council, and Urban Gateways. Through the years, Taylor has taught every grade level from kindergarten through major universities. She served as president of the African American Arts Alliance and is on the board of the Betty Shabazz International Schools.

The City of Chicago honored her by naming a street after her, Jackie Taylor Street, and Governor Pat Quinn declared March 27, 2009, Jackie Taylor day in Illinois.

Taylor’s many awards include a Special Jeff Award for her cultural contributions and a League of Chicago Theater Lifetime Achievement Award. She has been named as an outstanding performer, director, and business woman by dozens of media outlets, including New CityChicago DefenderToday’s Chicago Woman Magazine, Chicago MagazineChicago Sun-Times. She and her work have been featured in Jet, Variety, the New York Times, The Washington Post and Essence.

Registration closes when the theater reaches capacity.

TimeLine Theatre Company, celebrated for its powerful and provocative productions that connect past, present, and future, announces a landmark 29th season—culminating in a long-awaited inaugural production in its new theatre currently under construction at 5035 N. Broadway in Uptown.

TimeLine’s new home will open with an “eerily prescient” (Entertainment Weekly) 144-year-old classic brought forward to today in a “smart, sharp and relevant” (Deadline), Tony Award-nominated new adaptation that speaks directly to our times.

Before opening its new theatre in Uptown, TimeLine’s 2025-26 season will launch with two productions at venues across the city—including a world premiere by one of Chicago’s most celebrated “triple-threat” artists and the sharply funny Chicago premiere of a story The New York Times hailed as “the perfect play for our age of disagreement.”

TimeLine Theatre’s three-play 2025-26 subscription season includes:

  • The world premiere of Hundreds and Hundreds of Stars by Sandra Delgado, directed by TimeLine Associate Artist Kimberly Senior, hosted by Lookingglass Theatre Company in the historic Water Tower Water Works, 163 E. Pearson Street at Michigan Avenue on Chicago’s Magnificent Mile, a captivating drama that mixes family dynamics with otherworldly wonder and shines a light on American identity.
  • The Chicago premiere of the Tony Award-nominated Eureka Day by Jonathan Spector, directed by Lili-Anne Brown, the Broadway hit satire of progressivism, parenting, and public health, hailed by Deadline as a “shiny, insightful and damn funny little gem”; presented at a venue to be announced.
  • The Chicago premiere of An Enemy of the People by Henrik Ibsen, a new version by Amy Herzog, directed by TimeLine Company Member Ron OJ Parson, presented as the inaugural production at TimeLine Theatre’s new home, 5035 N. Broadway in Chicago’s Uptown neighborhood, a fresh, Tony Award-nominated take on the historic masterwork about what it means when citizens stand up to power.

“For 28 years, TimeLine’s mission has brought to life stories that examine our past, grapple with our present, and strive to improve our collective future,” said TimeLine Artistic Director PJ Powers. “As we embark on a milestone year—opening our long-awaited new home in Uptown—our 29th season deepens our commitment to that mission, at a moment when examining an unvarnished history feels essential.”

Powers continued: “This collection of stories furthers our belief in the importance of uplifting everyone’s history, while creating a space for contemplation and respectful discourse about complex issues. Individually and collectively, these plays—led by three of Chicago’s most accomplished directors— showcase the power of three playwrights working at the top of their craft. These are probing stories about how communities engage with one another, navigating thorny issues amidst periods of historic significance. With this collection of new, provocative, and timely plays, we are proud to embark on an exciting next chapter for TimeLine.” 

“This season is a striking reflection of TimeLine’s enduring mission and relevance, and we’re opening a new theatre that is an extension and expansion of our goal to foster connection, conversation, and reflection about the world we live in,” said TimeLine Executive Director Mica Cole

"We're thrilled to welcome TimeLine Theatre to Uptown,” said Chicago 48th Ward Alderwoman Leni Manaa-Hoppenworth. “Uptown has long been known for its world-class entertainment venues and shows, and TimeLine Theatre will be a great addition to this tradition.” 

“Uptown has a long history as an entertainment destination and we are thrilled to add TimeLine Theatre to the growing list of venues calling Uptown home,” added Sarah Wilson, Executive Director, Uptown United & Uptown Chamber of Commerce. “They are connecting two of Uptown’s historic districts: the entertainment district with the Asia on Argyle district. We are excited to work with TimeLine to connect their momentum with businesses and neighbors in the community.”

Save as much as 25% off regular ticket prices, enjoy impressive flexibility, and meet the moment of TimeLine’s 2025-26 season with a TimeLine FlexPass. Four options, priced from $134 to $278, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com.

Do you hear it? The haunting hum of Missy Mazzoli and Royce Vavrek's The Listeners will transfix audiences at Lyric Opera of Chicago from March 30 to April 11, 2025. Conducted by Music Director Enrique Mazzola and presented in the world-premiere production of Lileana Blain-Cruz revived by Mikhaela Mahony, The Listeners is a theatrical experience that blends traditional opera with innovative videography and unconventional projection elements. This genre-defying opera's unsettling narrative forewarns how isolation drives the search for human connection under the guise of an improbable sound.

The Listeners
, a brand new work co-commissioned and co-produced by Lyric, Opera Philadelphia, and the Norwegian National Opera and Ballet, had its world premiere in Oslo in 2022 to thunderous critical praise. Now, in its longest run of stateside performances yet, The Listeners takes over Chicago's largest stage. Let the sound consume you — if you dare.

The seduction of sound. Claire, a school teacher, whose idyllic suburban life is shattered by the arrival of a persistent hum — an unplaceable droning sound that only certain people can hear. A group of other "listeners" quickly forms around stopping the plague of sound: the community begins to take on a cultish nature when the prophet-like Howard attempts to make this group his disciples of the noise for all the wrong reasons. The Listeners is a modern American exploration of relying on community when faced with unrelenting fear. At its core, this opera asks: how much are you willing to sacrifice everything you've known, just to feel like you belong?

An impressive cult following.
 Longtime composer and librettist team Missy Mazzoli and Royce Vavrek have garnered widespread praise for their work on The Listeners, which made a brief American premiere at Opera Philadelphia earlier this season. The production has been hailed as "the unmissable opera of the season" by The New York Times and was listed on their "6 Performances Our Classical Critics Can't Stop Thinking About." The Listeners was derived from a treatment by Jordan Tannahill, who eventually published a novel of the same title, a work that was later adapted into a critically lauded television series, released on the BBC in 2024. But the hum's menace is most unsettling in its original operatic form.

This isn't the first time the talents of Mazzoli and Vavrek have created magic together. Previously, they received resounding acclaim for their 2016 collaboration Breaking the Waves, which won the inaugural "Best New Opera" award from the Music Critics Association of North America and was shortlisted for "Best World Premiere" at the International Opera Awards. The powerhouse duo will reunite once again for their upcoming adaptation of the beloved George Saunders novel Lincoln in the Bardo, commissioned by the Metropolitan Opera.

Fall under their masterful command. Lyric's Music Director Enrique Mazzola leads the Lyric Opera Orchestra in interpreting Mazzoli's thrilling and melodic score. Mazzola's extensive experience conducting contemporary works was seen by Lyric audiences in the 2023/24 Season with Terence Blanchard and Michael Cristofer's Champion, and he previously demonstrated his agility with Mazzoli's composition These Worlds in Us with the London Philharmonic Orchestra in 2021, providing a solid foundation for his work on The Listeners. Earlier this season at Lyric, he conducted Verdi's Rigoletto and Beethoven's Fidelio and he will also conduct performances of Sondra Radvanovsky in Concert: The Puccini Heroines and Lyric in Concert: A Wondrous Sound. The work of Lileana Blain-Cruz, who directed the opera's world premiere in Oslo, will be showcased on the Lyric stage for the first time. Currently the resident director at Lincoln Center Theater in New York, she was a Tony nominee for her direction of The Skin of Our Teeth. This spring, she will direct the new play Bust at Chicago's Goodman Theatre. Her production of The Listeners is revived at Lyric by Mikhaela Mahony.

Devout followers that lead the way.
 The radiant soprano Nicole Heaston makes her Lyric debut as Claire, a role that was specifically written for her singular dramatic and vocal talents, which she portrayed in this production's Oslo and Philadelphia performances. Alongside her recent performances in The Listeners, she most recently appeared in the title role of Samuel Barber's Vanessa presented by the National Symphony Orchestra. Veteran bass-baritone Kyle Ketelsen returns to Lyric for the first time since his 2021/22 Season appearance as Doctor Dulcamara in Donizetti's The Elixir of Love, as the group leader Howard. He made his Lyric debut in the 2004/05 Season, when he appeared as Masetto in Mozart's Don Giovanni. Rising-star soprano Jasmine Habersham makes her Lyric debut in the role of Claire's daughter, Ashley. Her most recent engagement was as Juliet in Minnesota Opera's production of Gounod's Romeo and Juliet.

A hypnotic supporting cast. Howard's cult confidant, Angela, is sung by mezzo-soprano Daniela Mack in her return to Lyric following her debut as the Kitchen Boy in Dvořák's Rusalka in the 2013/14 Season. She has recently dazzled audiences as Frida Kahlo in Gabriela Lena Frank and Nilo Cruz's El último sueño de Frida y Diego, co-produced by San Diego Opera and San Francisco Opera. Tenor Jonas Hacker appears as Kyle, a high-school student who becomes tormented by the sound; Hacker starred as Timothy Laughlin in Gregory Spears and Greg Pierce's Fellow Travelers in Lyric's 2017/18 Season. Paul, Claire's husband who is overshadowed by her fixation on the hum, is sung by baritone Zachary Nelson. He previously appeared as Marcello in Lyric's 2018/19 Season production of Puccini's La Bohème. Nelson recently made an anticipated role debut as Alberich in Atlanta Opera's new production of Wagner's Das Rheingold, a role he returns to later this season in the composer's Siegfried. Baritone John Moore is Dillon in his Lyric debut; he recently appeared in performances across the United States as Steve Jobs in Mason Bates and Mark Campbell's The (R)evolution of Steve Jobs.

An ensemble of twisted believers. Baritone Joseph Lim, an alumnus of Lyric's renowned artist training program, The Patrick G. and Shirley W. Ryan Opera Center, returns to Lyric as Thom, reprising the role he played in the Opera Philadelphia production. The cast of The Listeners also features several current members of the Ryan Opera Center Ensemble: sopranos Adia Evans and Gemma Nha, mezzo-soprano Sophia Maekawa, and baritone Finn Sagal.

Unapologetic creativity at its boldest. The Listeners is an unparalleled visual feat that combines modern technology with its storytelling. Through visual commentary with modern social media and "live" newscasting sequences alongside immersive sets and projections, this production envelops viewers in its cinematic spectacle. Set designer Adam Rigg, who recently designed the sets of Illinoise at Chicago Shakespeare Theater, creates the opera's key visual environments. Working alongside him are costume designer Kaye Voyce, lighting designer Yi Zhao, and video designer Hannah Wasileski, all in their Lyric debuts. Chorus Director and Head of Music Michael Black leads the Lyric Opera Chorus, and the original choreography of Raja Feather Kelly is recreated at Lyric by revival choreographer Zoe Scofield, both in their Lyric debuts.

Ready for the hum? Featuring a score sung entirely in English (and punctuated with profanity throughout), this work delivers a darkly comedic and thought-provoking experience for contemporary audiences. The Listeners is an immersive opera that will leave Lyric patrons fearing the inescapable spell of the hum — will it consume you, too?

Important to know:

  • Five chances to experience The Listeners: March 30 matinee; April 2, 5, 8, and 11.
  • Content Advisory: The Listeners includes explicit language and sexual content, along with brief mentions of self-harm and suicide, that may be triggering or uncomfortable to some audience members. This production also includes the occasional use of strobing/flashing lights and theatrical gunfire. Recommended for mature audiences.
  • Performed in English with projected English titles above the stage.
  • A total running time of 2 hours and 30 minutes, including one intermission.
  • Ticketholders are invited to a free pre-opera talk by noted scholar Dr. Justin Vickers on the opera's composition history and social context; the talks begin one hour before each performance on the main floor of the theater.
  • Audio description and a guided touch tour of the set are available at the Sunday, March 30 matinee performance. American Sign Language interpretation and SoundShirts are available at the Wednesday, April 2 evening performance. Braille and large-print programs, high-powered opera glasses, assistive listening devices, and booster seats are available from the main floor coat check at all performances. For more information on these and other accessibility assets, visit lyricopera.org/accessibility.
  • Co-commissioned and co-produced by Lyric Opera of Chicago, Norwegian National Opera, and Opera Philadelphia.
  • For more information and tickets, visit lyricopera.org/listeners or call 312.827.5600.
 
 
 
 
 
 

About Lyric

Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences.

Under the leadership of General Director, President & CEO John Mangum and Music Director Enrique Mazzola, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists — magnifying the welcoming pull of our art form, our company, and our city.

Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down.

Join us @LyricOpera on InstagramTikTokYouTubeThreads and Facebook. #LongLivePassion

For more information, visit lyricopera.org.

Chicago Shakespeare Theater (CST) presents the Royal Shakespeare Company (RSC)'s Pericles, direct from a "triumphant" (The Telegraph) run at the company's home in Stratford-upon-Avon, UK. One of the world's preeminent theater companies, the RSC returns to Chicago for the first time in 30 years as part of a new, ongoing partnership with CST.

Tamara Harvey directs this major new production of Shakespeare's moving tale in her and Daniel Evans' first season as the RSC's co‑artistic directors. The Guardian raved about the UK premiere, "Pericles could not have been done better." This exclusive engagement runs October 20–December 7 in the Courtyard Theater, marking CST's 100th international production bringing the world's great artists to Chicago.

When Prince Pericles solves a riddle set by the neighboring King, he knows the answer could get him killed. Fleeing for safety, he finds himself swept away on an epic voyage that will see him battle princes, marry his true love, and become a father. But this is also a journey of storms and shipwrecks, abduction and devastating loss. Adrift in an ocean of grief, will Pericles ever see his family again?

"It is a huge pleasure to be bringing the Royal Shakespeare Company back to Chicago for the first time in 30 years with this most timely and beautiful production of Pericles," said CST's artistic director Edward Hall. "The inaugural production as co‑artistic director from Tamara Harvey is a rare opportunity for audiences to immerse themselves in this thought-provoking and wise story brought to life by an exceptionally talented company. This marks the beginning of a partnership between the RSC and CST in an expression of the shared passion for Shakespeare long held by us, Tamara Harvey, and Daniel Evans."

Harvey shared, "As I stepped with excitement and trepidation into the rehearsal room to create this, my RSC debut, I wouldn't have dared hope that the experience could be so joyful and creatively exhilarating. This company of actors is extraordinary, and we are thrilled to welcome Zach Wyatt as Pericles for the next leg of our journey together, whose professional debut—a very Pericles-like note of connection and reunion—was with Ed Hall when he was artistic director of Hampstead Theatre in London."

She continued, "Sharing this lesser-known Shakespeare with audiences in Stratford‑upon‑Avon has confirmed our belief that Pericles' perennial relevance is compelling, with its examination of leadership, endurance, loss, and hope. We can't wait to share this beautiful play with Chicago Shakespeare Theater's audiences as together we start to write the next chapter in the centuries-old story of collaboration between our two nations."

Zach Wyatt leads the cast of the Chicago engagement in the title role of Prince Pericles. Wyatt has been seen onstage in the West End production of A Little LifeBartholomew Fair and The Merry Wives of Windsor at The Globe, Wild East at the Young Vic, and I And You at Hampstead Theatre. His television and film credits include The Witcher: Blood OriginTimestalker, and Blithe Spirit.

The company also includes Miles Barrow (Thaliard/Boult), Philip Bird (Helicanus), Jacqueline Boatswain (Cerimon/Bawd), Rachelle Diedericks (Marina), Chyna‑Rose Frederick (Antiochus' Daughter/Lychorida/Diana), Sasha Ghoshal (Ensemble), Leah Haile (Thaisa), Felix Hayes (Anitochus/Pander), Kel Matsena (Lysimachus), Miriam O'Brien (Ensemble), Emmanuel Olusanya (Ensemble), Chukwuma Omambala (Cleon), Sam Parks (Escanes, Leonine), Christian Patterson (Simonides), and Gabby Wong (Dionyza).

Joining Harvey on the creative team are Jonathan Fensom (Set Designer), Kinnetia Isidore (Costume Designer), Ryan Day (Lighting Designer), Claire van Kampen (Composer),Claire Windsor (Sound Designer), Annie‑Lunnette Deakin-Foster (Movement Director), Charlotte Sutton CDG (Casting Director),Elinor Peregrin (Music Director), Tess Dignan (Voice and Text), Francesca Murray-Fuentes (Associate Director), Zoë Thomas‑Webb (Associate Costume Designer), and Juliano Zaffino (Textual Consultant).

The press opening for Pericles is scheduled for Friday, October 25 at 7:00 p.m. 

More information at www.chicagoshakes.com/pericles or on social media at @chicagoshakes.

 

Pericles

By William Shakespeare
Directed by Tamara Harvey
October 20–December 7, 2024
Courtyard Theater

PERFORMANCE LISTING

  • Tuesdays at 7:00 p.m. (except November 12 and 19)
  • Wednesdays at 1:00 p.m. and 7:00 p.m. (no matinee on October 23 and no evening on November 27)
  • Thursdays at 7:00 p.m. (except November 28)
  • Fridays at 7:00 p.m. 
  • Saturdays at 2:00 p.m. and 7:00 p.m.
  • Sundays at 2:00 p.m. (additional performances at 6:00 p.m. on October 20 and 7:00 p.m. on December 1)

 

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

  • Audio-described performance with optional touch tour – Sunday, November 17 2:00 p.m.
    A program that provides spoken narration of a play's key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production's design elements.
  • Open captioning – Wednesday, November 20 at 1:00 & 7:00 p.m.
    A text display of the words and sounds heard during a play, synced live with the action onstage.
  • Projected Spanish translated performance - Thursday, November 21 at 7:00 p.m.
    A text display of the words of the play, translated into Spanish, synced live with the dialogue.
  • ASL interpreted performance – Friday, November 22, at 7:00 p.m.
    All dialogue and lyrics are translated into American Sign Language by two certified interpreters

Kokandy Productions is pleased to conclude its 2024 season with an immersive production of Stephen Sondheim and James Lapine's classic Into The Woods, the first Chicago storefront production of the beloved musical in over a decade. Directed and choreographed by Producing Artistic Director Derek Van Barham with music direction by Nick SulaInto The Woods will play October 10 – December 22, 2024 at The Chopin Studio Theatre, 1543 W. Division St. in Chicago. Tickets are now on sale at kokandyproductions.com

Journeying Into The Woods are Kevin Webb and Sonia Goldberg as The Baker and The Baker's Wife, Stephanie Stockstill as The Witch, Madison Kauffman as Cinderella, Kevin Parra as Jack and Anna Seibert as Little Red. Pulling double (or more) duty are August Forman as Narrator/Mysterious Man, Shea Hopkins as Cinderella's Prince/Wolf, Makenzy Jenkins as Rapunzel's Prince/Steward, Ismael Garcia as Rapunzel/Florinda, Britain Gebhardt as Jack's Mother/Lucinda and Emily Goldberg as Cinderella's Stepmother/Mother. The company of players is completed by swings Gabby KoziolJackson MikkelsenHalli Morgan, Michael PenickJulie PetersonElizabeth Rentfro and Evan B Smith.

Escape into a fantastical fairytale adventure where wishes come true, but not always for free. A trove of storybook characters' paths intertwine as they chase their deepest desires through an enchanted forest. However, once they receive their happily ever after, the unintended consequences of granted wishes unravel their worlds.

Weaving a euphoric score including the songs "Giants in the Sky," "On the Steps of the Palace," "No One Is Alone" and "Children Will Listen" with a darkly humorous book, Into the Woods is a sophisticated musical twist on beloved childhood fables.

"What will we find when we wander into these woods?" asks director and choreographer Derek Van Barham. "A company of players, a beloved musical and a little magic. Our hope is that by re-orchestrating for 2 pianos and a cast of 12 (half of them doubling) we can focus on the intimate and immersive nature of the show, capturing the desperate need to be seen, to be remembered and to gather together to share (and receive) a good story."

Music Director Nick Sula adds, "Many of the characters in this musical are introduced in pairs - The Baker and The Baker's Wife, Jack and Little Red, the two Stepsisters, the two Princes - so it felt natural to include the music, the musicians and the instruments themselves as a mirror of that. Our team of three pianist/orchestrators collaborated to create a unique sound with a two-piano, four-(or more!)-hand approach that features a duo of acoustic grand pianos. We are delighted to share the full depth and breadth of Stephen Sondheim's music with our audiences in this hauntingly majestic and intimate re-imagination." 

The production team includes G "Max" Maxin IV, (Scenic Design and Lighting Design), Rachel Sypniewski (Costume Design), Matt Reich (Sound Design), Mike Patrick (Sound Consultant), Jakob Abderhalden (Properties Design), Chels Morgan (Intimacy Choreographer), Syd Genco (Makeup Design), Keith Ryan (Wig Design), Ariana Miles and Evelyn Ryan (Orchestrators), Nicholas Reinhart (Production Manager), Shane Roberie (Casting Associate), Lynsy Folckomer (Sound Engineer), Ryan Stajmiger (Assistant Director), Kendyl Meyer (Stage Manager), Ethan Colish (Assistant Stage Manager).

PRODUCTION DETAILS:

Title: Into The Woods

Book by James Lapine

Music and Lyrics by Stephen Sondheim

Directed and Choreographed by Producing Artistic Director Derek Van Barham

Music Direction by Nick Sula

Cast (in alphabetical order): August Forman (Narrator/Mysterious Man), Ismael Garcia (Rapunzel/Florinda), Britain Gebhardt (Jack's Mother/Lucinda), Emily Goldberg (Cinderella's Stepmother/Mother), Sonia Goldberg (The Baker's Wife), Shea Hopkins (Cinderella's Prince/Wolf), Makenzy Jenkins (Rapunzel's Prince/Steward), Madison Kauffman (Cinderella), Kevin Parra (Jack), Anna Seibert (Little Red), Stephanie Stockstill (The Witch) and Kevin Webb (The Baker).

SwingsGabby KoziolJackson MikkelsenHalli Morgan, Michael PenickJulie PetersonElizabeth Rentfro and Evan B Smith

MusiciansAriana Miles (piano) and Evelyn Ryan (piano).

Location: The Chopin Studio Theatre, 1543 W. Division St., Chicago

Dates: Previews: Thursday, October 10 at 7 pm, Friday, October 11 at 7 pm, Saturday, October 12 at 7 pm, Sunday, October 13 at 5 pm, Monday, October 14 at 7 pm, Sunday, October 20 at 5 pm, Monday, October 21 at 7 pm, Thursday, October 24 at 7 pm and Friday, October 25 at 7 pm

Press performance: Saturday, October 26 at 7 pm

Regular run: Sunday, October 27 – Sunday, December 22, 2024

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 5 pm. Please note: there will be added performances on Wednesday, November 27 at 7 pm and Monday, December 9 at 7 pm; there will not be a performance on Thursday, November 28 (Thanksgiving).

Tickets: Previews $25 (with code PREVIEW). Regular run $45 general admission, $55 reserved seating. Students/Seniors $35. There will be a limited number of $15 tickets (with code ARTIST) available to artists for each performance. Tickets are on sale now at kokandyproductions.com.

About the Artists

Derek Van Barham (Director/Choreographer, he/him) is the Producing Artistic Director of Kokandy Productions. Directing credits include Children of Eden in Concert (Broadway In Chicago), Spring Awakening (Flint Rep); Sweeney ToddAmerican Psycho and Head Over Heels (Jeff Awards and Jeff nomination, Kokandy); The View Upstairs (Circle Theatre); Miracle by Dan Savage, Poseidon (Hell in a Handbag). Choreography credits include Evil Dead (Jeff nomination), Coraline the MusicalGhost QuartetShockheaded Peter and Coraline the Musical (Black Button Eyes). He was previously named one of Windy City Times' 30 Under 30, and one of Newcity Magazine's 50 Players 2024. MFA: CCPA/Roosevelt University. derekvanbarham.com | IG @dvbarham

Nick Sula (Music Director and Orchestrations, he/him) is an award-winning pianist, arranger and music director. Music Direction credits include the Jeff Award-winning production of Sweeney Todd with Kokandy Productions, for which he earned the Jeff Award for Outstanding Music Direction; Anything Goes with Porchlight Music Theatre [Jeff nomination]; Ghost Quartet [Jeff nomination], Nevermore, Amour, Coraline (Black Button Eyes Productions); Myths & Hymns, The Glorious Ones [Jeff nomination], Pippin (BoHo Theatre); His & His, Boys in Briefs, Broadway at the Broadway (Pride Films and Plays); Merrily We Roll Along, Head Over Heels, The Pajama Game, The Pirates of Penzance (CCPA). Nick can be heard performing with vocalists at theaters and cabaret venues around Chicagoland such as Davenport's Piano Bar and Skokie Theater. As a professor of musical theatre he serves as a music director, instructor and vocal coach at the Chicago College of Performing Arts at Roosevelt University.

About Kokandy Productions

Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theatre to tell complex and challenging stories, with a focus on contributing to the development of Chicago-based musical theatre artists, and raising the profile of Chicago's non-Equity musical theatre community.

The company's artistic staff is comprised of Derek Van Barham (Producing Artistic Director), Scot T. Kokandy (Executive Producer) and Adrian Abel Azevedo & Leda Hoffman (Artistic Associates). The Board of Directors includes Preston Cropp, Scot T. Kokandy, Danielle Sparklin and Katie Svaicer. 

For additional information, visit www.kokandyproductions.com

Fleetwood-Jourdain Theatre's 2024 season of four productions will open with the original musical 1619: THE JOURNEY OF A PEOPLE by Chicago writer and performer Ted Williams III. The musical commemorates the arrival of the first 20 Africans on the shores of Point Comfort, Virginia on August 20, 1619. In it, three modern characters lead audience members on a journey through multiple performance pieces, leaving viewers both inspired and challenged about the progress of America's African sons and daughters. This production uses various musical forms including hip-hop, jazz, and blues, to commemorate the struggle for survival and equality and to celebrate the stories and journeys of America's African sons and daughters. FJT is partnering with Evanston Public Library and Northwestern University for this production. 1619: THE JOURNEY OF A PEOPLE will play Saturdays and Sundays from June 15-30, 2024, with the press opening on Sunday, June 16 at 3 pm.
 
Performances will be Saturdays at 7:00 pm and Sundays at 3:00 pm, at the Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center, 927 Noyes St., Evanston. Tickets are $30.00 and are on sale now at www.fjtheatre.com. Additionally, 2024 Premium Gold Member Cards, good for all three 2024 summer and fall play productions and A MOODY EXPERIENCE: MUSIC BEYOND THE MARGINS, are now on sale for a very limited time for only $90 - a nearly 30 percent discount off of the regular season ticket prices.
 
LISTING INFORMATION
 
1619: THE JOURNEY OF A PEOPLE
A Musical by Ted Williams III
Directed by Tim Rhoze and Ted Williams III
This is a co-production with Evanston Public Library and Northwestern University
June 15-30, 2024
Saturdays at 7 pm, Sundays at 3 pm
Press opening Sunday, June 16 at 3 pm
Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center
927 Noyes St., Evanston
Tickets $32.00, on sale now at www.fjtheatre.com
Phone 847-866-5914
 
From the beginning of American slavery to Reconstruction, the Great Migration, the Civil Rights Era, and modern movements for justice, 1619 packs generations of history into an amazing musical theater experience that traces the African American journey toward freedom and equality.

David Williamson, regarded as one of the top magicians in the world today, makes his Rhapsody Theater debut with Ridiculous! Known for his tours with Circus 1903 and The Illusionists on Broadway, Williamson’s Ridiculous! is a brand new solo full-length magic production created for The Rhapsody Theater. Mixing mind-bending illusions, side-splitting comedy, and a dash of anarchy, the show is an uproarious evening of controlled chaos ruminating on the meaning of the word ridiculous. Ridiculous! is performed at The Rhapsody Theater, 1328 W. Morse Ave. in Rogers Park, May 16 - June 30.

Ridiculous! transcends the boundaries of a mere theatrical performance; it serves as a one-man rebellion against the monotony of a life too often bogged down by seriousness. This show is not just an escape, but a full-on revolt against the mundane, offering a sanctuary of laughter, wonder, and awe. Don’t miss the chance to be part of this unforgettable experience!” said Ricardo Rosenkranz, MD, Rhapsody Theater LLC managing partner and resident performer as the Physician Magician.

More about David Williamson

A born showman and accomplished sleight-of-hand artist, David Williamson dazzles audiences with a blend of heart-stopping magic and sidesplitting hilarity. He has been featured on ABC’s “Champions of Magic,” where he appeared with Princess Stephanie as he performed his miracles at various locations in and around Monaco. Williamson has also co-starred in several top-rated prime-time network specials, including CBS’ “Magicians’ Favorite Magicians,” NBC’s “Houdini: Unlocking His Mysteries” and NBC’s “World’s Greatest Magic III.” He was seen recently on The CW’s “Masters of Illusion” TV series as well as “America’s Got Talent.” Williamson has developed TV shows for Walt Disney Productions and ABC, as well as consulting on TV specials for illusionists David Copperfield and David Blaine. His bestselling magic book, Williamson’s Wonders, has been translated into three languages.

Williamson is also featured as the Ringmaster in the exciting show “Circus 1903” currently touring the world and returning to the UK for a holiday tour and is currently starring with fellow magicians in “The Illusionists” at the acclaimed Kennedy Center for the Performing Arts, following its Broadway run. He is also a frequent favorite Guest Entertainer on Disney Cruise Lines. Recently, Williamson was honored with the Performance Fellowship by the Academy of Magical Arts and Sciences at the Magic Castle in Hollywood. In 2017, Williamson was named The Magic Castle’s Magician of the Year. He was also recently awarded Honorary Lifetime Membership by the UK’s Magic Circle, the world’s premier magical society.

Performance schedule & tickets

Ridiculous! with David Williamson will be performed at The Rhapsody Theater May 16 to June 30: Thursdays at 7:30pm; Fridays at 7:30 PM; and Saturdays at 2:00 PM, and 7:30 PM.  There are no performances on May 31 or June 1, instead there are special Sunday matinees on June 2 and June 30 at 2:00 PM. The run time is approximately 90 minutes with one intermission. Tickets starting at $20.00, are now on sale, online at https://rhapsodytheater.thundertix.com/events/218941 or at The Rhapsody Theater box office.

About The Rhapsody Theater

Built in 1912 as the Morse Theater, this destination at 1328 W. Morse Avenue has long-been a source of arts and entertainment (formerly operating as the Co-Ed Theater and the Mayne Stage). Since its reopening in 2022 by Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, The Rhapsody Theater has brought a Vegas-style entertainment experience to Rogers Park. This includes a newly developed, full-service restaurant and three bars throughout providing a welcoming spot for both patrons and community members to enjoy year-round. The multi-faceted theater is perfectly primed for its world-class performances. With state-of-the-art acoustics and versatile seating arrangements, the space allows for enhanced, intimate, and large format experiences. In addition to magic arts talent, The Rhapsody Theater also presents cabaret and other live music concert programming.

The Rhapsody Theater is conveniently located steps away from the Morse Red line ‘El’ station in Rogers Park. Complimentary parking is available in an adjacent lot (subject to availability) in addition to plentiful nearby street parking.

In advance of Ridiculous!, the Mexico City-born Dr. Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, celebrates the festive Cinco de Mayo holiday weekend by performing a feat never before seen on Chicago stages: performing back-to-back magic shows in two different languages, Spanish and English, the weekend of May 4 & 5, 2024.  For more information about The Rhapsody Theater or to purchase tickets, please visit https://rhapsodytheater.com/

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