Displaying items by tag: Broadway in Chicago

The League of Chicago Theatres will host its annual benefit, the 2026 Spotlight Gala: Unmask the Night, Embrace the Drama at City Hall – Recess, 838 W. Kinzie St. on Monday, October 19, 2026.  The evening will celebrate the rich legacy of Chicago theatre. More than 300 friends of Chicago theatre are expected to attend to raise funds to support the League's programs, which uplift Chicagoland's member theatre companies.

Individual tickets are available for $350 per person, and all proceeds benefit the League of Chicago Theatres which promotes, supports, and advocates for theatre in Chicago. To purchase tickets, or for sponsorship opportunities and participation information, visit https://leagueofchicagotheatres.org/gala/ or call (312) 554-8900. The celebratory evening will include a cocktail hour, the awards ceremony and a dessert reception with entertainment by local theatre companies, to be announced.

The event will honor Luther Goins with the Tribute Award, Ellen Placey Wadey of the Gaylord and Dorothy Donnelley Foundation, with the Philanthropic Award and Ron OJ Parson with the Lifetime Achievement Award. The winner of the Broadway In Chicago Emerging Theatre Award will be announced and presented at the event. Nominated by a committee of industry professionals, educators and League of Chicago Theatres board members, three finalists are selected each year, and from those, a majority vote from the League membership determines the winner. The award was created in 2007 to encourage, support, and promote young theatres in Chicago that have demonstrated great ability, promise, artistic excellence, and fiscal responsibility in business practices. Broadway In Chicago provides a $5,000 cash prize to the winning company. Previous award recipients include: The Story Theatre, Interrobang Theatre Project, Perceptions Theatre, Broken Nose Theatre, Route 66 Theatre Company, Sideshow Theatre Company, Jackalope Theatre Company, Oracle Productions, The House Theatre of Chicago, Silk Road Theatre Project (now Silk Road Rising), the side project, Steep Theatre, The New Colony, Theatre Seven of Chicago and 16th Street Theater.

Nominations are now open for the Broadway in Chicago Backstage Champion Award, which recognizes the contributions of an unsung, behind-the-scenes hero and carries a $1000 award. Nominations can be submitted here: https://leagueofchicagotheatres.app.neoncrm.com/forms/broadway-in-chicago-backstage-champion-award-nomination-form.

Applications are also open for the Broadway In Chicago Emerging Theatre Award here: https://leagueofchicagotheatres.org/broadway-in-chicago-emerging-theatre/. Nominated by a committee of industry professionals, educators and League of Chicago Theatres board members, five finalists are selected each year, and from those, a majority vote from the League membership determines the winner. Broadway In Chicago provides a $5,000 cash prize. Previous award recipients include: Previous award recipients include: The Story Theatre, Interrobang Theatre Project, Broken Nose Theatre, Route 66 Theatre Company, Sideshow Theatre Company, Jackalope Theatre Company, Oracle Productions, The House Theatre of Chicago, Silk Road Theatre Project (now Silk Road Rising), the side project, Steep Theatre, The New Colony, Theatre Seven of Chicago and 16th Street Theater.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 6 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago's theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com.

The League of Chicago Theatres' Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago's theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available discounted tickets are listed at HotTix.org.

Broadway In Chicago is pleased to announce Blue Man Group will bring its first-ever holiday production, "A NEW HOLIDAY SURPRISE," on the road this season. Chicago audiences will be among the first in the country to experience the all-new production. Tickets go on sale this Friday, August 21. BLUE MAN GROUP’S A NEW HOLIDAY SURPRISE will play Broadway In Chicago’s CIBC Theatre (18 W. Monroe St.) for a limited three-week engagement, November 24 – December 13.

“Bringing Blue Man Group's first-ever holiday production to Chicago is an exciting milestone and a natural evolution of the iconic Blue Man experience,” said Marie-Josée Adam, President and CEO of Blue Man Group. “The holidays are about creating unforgettable memories, and we're thrilled to offer audiences a fresh, immersive celebration that blends the music, humor, creativity and joyful unpredictability that have defined Blue Man Group for decades.”

The brand-new production will feature classic holiday music performed on Blue Man Group's iconic custom instruments, while following the Blue Men as they discover the traditions, rituals and joyful absurdities of the holidays while exploring timeless themes of generosity, presence, creativity and human connection. Equal parts hilarious, heartwarming and visually unforgettable, “A NEW HOLIDAY SURPRISE,” offers audiences a unique holiday tradition that celebrates what brings us together.

Blue Man Group is a vibrant, interactive experience that has captivated audiences from all around the world. The non-verbal group communicates through music, art, and comedy, creating powerful connections without saying a word. As the Blue Men navigate our world with curiosity, audiences are invited into a captivating, communal experience that sparks creativity and ignites the imagination.

ABOUT BLUE MAN GROUP
Blue Man Group is a global entertainment phenomenon, known for its award-winning theatrical productions, iconic characters and multiple creative explorations. Blue Man Group performances are euphoric celebrations of human connection through art, music, comedy and non-verbal communication. Since debuting at New York’s Astor Place Theatre in 1991, the live show has expanded to additional domestic residencies playing in Las Vegas, Orlando and multiple tours, reaching more than 50 million people worldwide. Blue Man Group is universally appealing to a broad range of age groups and cultural backgrounds, and continually injected with new music, fresh stories, custom instruments and sensory stimulating graphics. Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group.
 

For more information, please visit BLUEMAN.com.
Follow @BlueManGroup on
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PERFORMANCE SCHEDULE
Tuesday, November 24 – 7:00 p.m.
Wednesday, November 25 – 1:00 p.m. & 7:00 p.m.
Thursday, November 26 – No Shows (Thanksgiving)
Friday, November 27 – 1:00 p.m. & 4:00 p.m.
Saturday, November 28 – 1:00 p.m., 4:00 p.m., and 7:00 p.m.
Sunday, November 29 – 1:00 p.m. & 4:00 p.m.

Tuesday, December 1 – 7:00 p.m.
Wednesday, December 2 – 1:00 p.m. & 7:00 p.m.
Thursday, December 3 – 7:00 p.m.
Friday, December 4 – 7:00 p.m.
Saturday, December 5 – 1:00 p.m. & 7:00 p.m.
Sunday, December 6 – 1:00 p.m.

Tuesday, December 8 – 7:00 p.m.
Wednesday, December 9 – 1:00 p.m. & 7:00 p.m.
Thursday, December 10 – 7:00 p.m.
Friday, December 11 – 7:00 p.m.
Saturday, December 12 – 1:00 p.m. & 7:00 p.m.
Sunday, December 13 – 1:00 p.m.

TICKET INFORMATION (As of August 17, based on availability and subject to change)
Individual tickets for BLUE MAN GROUP’S A NEW HOLIDAY SURPRISE go on sale Friday, August 21 and range from $39.00 - $120.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on
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#broadwayinchicago

Broadway In Chicago is excited to announce tickets for t he original Tony® & Olivier Award-winning musical sensation, JERSEY BOYS, are now on sale. The highly anticipated engagement will play Broadway In Chicago’s CIBC Theatre for a limited two-week engagement, November 10 - 22. This engagement of JERSEY BOYS is part of a multi-city North American Tour beginning September 2026 in celebration of its 20^th Anniversary year.

JERSEY BOYS is the behind-the-music true story of Frankie Valli and The Four Seasons.  They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story – a story that has made them an international sensation all over again. The show features all their hits including “Sherry,” “Big Girls Don’t Cry,” “December 1963 (Oh, What a Night),” “Walk Like A Man,” “Can’t Take My Eyes Off You,” “Beggin’” and “Working My Way Back To You.”

JERSEY BOYS is written by Academy Award-winner Marshall Brickman and Rick Elice, with music by Grammy Award-winner Bob Gaudio, lyrics by Bob Crewe.

The recipient of Broadway’s Tony, London’s Olivier and Australia’s Helpmann Awards for Best New Musical, JERSEY BOYS is the winner of 65 major awards and has been seen by over 30 million people worldwide.

The Broadway production originally opened on November 6, 2005, and, by the time it closed on January 15, 2017, it was the 12^th longest running show in Broadway history.  It returned to New York with a new production from November 2017 to May 2022. JERSEY BOYS has also had multiple record-breaking US National Tours from 2006 through 2022 as well as productions in Las Vegas, Chicago and Toronto.

JERSEY BOYS ran in London’s West End from March 18, 2008 to March 26, 2017 and, at the time, was the 6^th longest musical running in the West End. The musical returned to the West End as the first show to play the reinstated Trafalgar Theatre from April 14, 2021 to January 4, 2024. JERSEY BOYS previously played three record-breaking UK and Ireland tours from 2014 to 2016, 2017 to 2019 and 2021 to 2022.

A JERSEY BOYS 20^th Anniversary UK and Ireland tour also opened on June 15, 2026, at the New Wimbledon Theatre, currently booking dates through 2027.

The JERSEY BOYS 20^th Anniversary North American tour will be staged by the entire original Broadway creative team, led by the Tony Award-winning team of director Des McAnuff and choreographer Sergio Trujillo, with scenic design by Klara Zieglerova, costume design by Jess Goldstein, lighting design by Howell Binkley, sound design by Steve Canyon Kennedy, projections design by Michael Clark and production supervision by Danny Austin. The orchestrations are by Steve Orich and the music supervision and vocal arrangements by Ron Melrose.

The Original Broadway Cast Recording of JERSEY BOYS, produced by Bob Gaudio, was certified Platinum by the Recording Industry Association of America. The cast recording is available on Rhino Records. JERSEY BOYS: The Story of Frankie Valli & The Four Seasons (Broadway Books) is the official handbook to the smash Broadway hit.  Season’s Greetings: A JERSEY BOYS Christmas, a holiday CD featuring international cast members of JERSEY BOYS, produced by Bob Gaudio, is available on Rhino Records.

For more information, please visit www.JerseyBoysInfo.com
Instagram: @JerseyBoysBroadway
Facebook: @JerseyBoysBroadway
TikTok: @JerseyBoysBroadway
YouTube: @JerseyBoys
Threads: @JerseyBoysBroadway

PERFORMANCE SCHEDULE
Tuesday, November 10 – 7:00 p.m.
Wednesday, November 11 – 7:00 p.m.
Thursday, November 12 – 7:00 p.m.
Friday, November 13 – 7:00 p.m.
Saturday, November 14 – 2:00 p.m. & 7:30 p.m.
Sunday, November 15 – 1:00 p.m. & 6:30 p.m.

Tuesday, November 17 – 7:00 p.m.
Wednesday, November 18 – 1:00 p.m. & 7:00 p.m.
Thursday, November 19 – 7:00 p.m.
Friday, November 20 – 7:00 p.m.
Saturday, November 21 – 2:00 p.m. & 7:30 p.m.
Sunday, November 22 – 1:00 p.m.

TICKET INFORMATION (As of August 14, based on availability and subject to change)
Individual tickets for JERSEY BOYS are on sale now and range from $40.00 - $140.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on
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#broadwayinchicago

In times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie we’ve seen twenty-seven times. We’re drawn back to the things we know because they have a certain salve to the severity and uncertainty around us. There’s a comfort in knowing what is coming, how something will turn out, that everything works out in the end (or doesn’t if that’s your jam). We can revisit the same story over and over again, play it in the background, speak it word-for-word, and still never tire of it. Even when the same story is told through a new medium, we gravitate towards it naturally, prepared to be comforted all over again.

Sharon Catherine Brown (Older Allie) and Beau Gravitte (Older Noah) in The Notebook. All photos by Roger Mastroianni.

For many millennials, there is no better comfort show than The Notebook, now a musical presented by Broadway in Chicago through August 16^th. The Notebook is a new hit musical based on the best-selling novel that inspired the iconic 2004 film. Much like the movie and the book the musical adaptation is based on, The Notebook: The Musical follows the love story of Allie and Noah, a young man and woman from different worlds, sharing a lifetime of love despite the forces that threaten to pull them apart.

Truthfully, the love story of Allie and Noah isn’t particularly groundbreaking; a rich girl and a poor boy fall in love, but societal pressures and expectations push them apart and challenge their choices, though (spoiler) their love overcomes and they find their way back to one another time and time again. One of the central themes of the story is about young love. It’s a love that grows and yet remains unchanged. It’s about a love that endures and prevails against the most wicked villain in the universe: time.

Ken Wulf Clark (Middle Noah) and Alysha Deslorieux (Middle Allie).

The Notebook: The Musical visualizes this simple love in the most compelling of ways that both the book and the movie cannot truly capture. Memories of Noah and Allie’s younger and middle selves drift across the stage as the elder versions watch with reverie, nostalgia, and sonder. The interactions with these wisps are brief and fleeting, just like time itself. Songs are reprised and echoed throughout the play just as memories do, tangible and yet somehow out of reach. The stage medium hurriedly tells the same story we know (and watch on repeat yearly), but it’s this franticness that only adds to the beauty of The Notebook. Stage productions have a limited time to convey messages they want the audience to walk away with. It’s this medium that truly captures the urgency and fleetingness of The Notebook; that time in linear, ever-present, and ticking away until there is none left. The production even hints at this central theme from the moment you enter the theatre, the sound of a distant, persistent ticking clock. Time is the enemy, and it’s in time that we drift between our past and present selves and reflect on the love between Allie and Noah. That’s what makes The Notebook so comforting. It’s time, and the time that is given to us; what more is needed in this world than to love someone so deeply, and to be so loved in return, that time doesn’t matter?

Chloë Cheers (Younger Allie) and Kyle Mangold (Younger Noah).

Truthfully, The Notebook: The Musical is not particularly a revolutionary or Tony-award-winning musical. But then again, the 2004 adaptation of the novel wasn’t winning Oscars. It’s a simple story told through a new medium with plenty of feet-kicking, giggle-worthy, heart-wrenching moments. The songs are sweet, simple, and performed with incredible vocals and an emotionally vulnerable cast that heighten the awkward, love-sick, truly sick events that make this simple story so beloved by an entire generation.

It might not be flashy. The songs might not make Broadway playlists. But this musical is worth every fleeting moment of your time. To those who the story resonates with, it will feel like a favorite book filled with marginalia, a movie you can quote word-for-word, a song that brings butterflies to your stomach after decades of hearing it. And what better way to spend your time than curling up in an auditorium theatre to watch the beloved love story? The Notebook: The Musical is now playing at the James M. Nederlander Theatre (24 W. Randolph St., Chicago) through August 16^th. Don’t waste any time and get your tickets today.

Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia, along with Broadway In Chicago announced today that Tony Award® winner J. Harrison Ghee will star as “Mary Todd Lincoln” when Oh, Mary! comes to Chicago for a strictly limited engagement from January 19— February 7, 2027, at Broadway In Chicago’s CIBC Theatre. Additional casting will be announced in the coming months.

Reservations for groups of 10+ are available now by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. Additional fees apply for online purchases. Individual tickets, with a select number of premium seats available, will go on sale to the public at a later date but audiences can register online at https://cloud.response.broadwayinchicago.com/oh-mary-email-sign-up to receive first access when tickets become available. Subscribers may add tickets to their subscription by clicking here  or calling (312) 977-1717. For more information, visit www.BroadwayInChicago.com.

“I have seen Oh, Mary! three times and relished the beauty of this show—how different people shine so brightly in these roles, and yet you see the influence of Cole all over the production. The opportunity to get a crack at Mary Todd Lincoln is beyond a dream come true,” said J. Harrison Ghee. “We all possess so much within us. If we surrender to circumstances, we will find the possibility for expansion beyond belief. We are going to set the road on fire with this electrifyingly hilarious play.”

Written by Tony and Olivier Award winner Cole Escola and directed by Tony Award winner Sam Pinkleton, Oh, Mary! opened on Broadway on July 11, 2024, and continues to play at the Lyceum Theatre, where it became the first show in the theatre’s 121-year history to gross more than $1,000,000 in a single week.

Oh, Mary! has since broken its own box office record thirteen times and became the first show of the 2024-25 Broadway season to recoup its investment. Oh, Mary! opened to rave reviews in London’s West End on December 18, 2025, and won the 2026 Olivier Award for Best New Entertainment or Comedy Play.

Oh, Mary! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln through the lens of an idiot (playwright Cole Escola).

The full creative team includes dots (Scenic Designer), Holly Pierson (Costume Designer), Cha See (Lighting Designer), Daniel Kluger (Sound Design and Original Music), Drew Levy (Sound Designer), Leah J. Loukas (Wig Designer), Addison Heeren (Props Supervision), and David Dabbon (Musical Arrangements). Casting by Henry Russell Bergstein, CSA.

Oh, Mary! is produced by Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia with Bob Boyett, The Council, Jean Doumanian Productions, Nicole Eisenberg, Jay Marcus & George Strus, Irony Point, Richard Batchelder/Bradley Reynolds, Tyler Mount/Tommy Doyle, Nelson & Tao, Palomares Miller & Rosenberg, and ShowTown Productions.
 

WHAT PEOPLE ARE SAYING ABOUT OH, MARY!

“You’ll be losing your mind with joy.” —The New York Times, Critic’s Pick

"The funniest show on Broadway.” —New York Post

“★★★★★ The funniest play in years. Oh, Mary! is dizzyingly, breathtakingly funny, the kind of funny that ambushes your body into uncontained laughter.” —Time Out New York

“A singular work of virtuoso comedy that is as inventive and shrewd as it is absolutely stupid.” —The Daily Beast

“There’s funny, there’s very funny, and then there’s Oh, Mary!” —Deadline

“80 minutes of almost uninterrupted laughter. A work of genius.” —The Hollywood Reporter

“Unquestionably the funniest, gayest, campiest play Broadway has seen in years.” —Variety

“Oh, Mary!‘s sharp writing, breakneck pace, and campy performances keep the theater in hysterics until the curtain falls.” —Queerty
 

CONNECT WITH OH, MARY!
@OhMaryPlay
OhMaryPlay.com

It may be the middle of summer, but for fans of Universal’s “Love Actually,” Christmas comes early this year. GEA Live, RoadCo, Fifth Season, and Broadway In Chicago today announced LOVE ACTUALLY IN CONCERT will bring the heart, humor, and intertwined stories of Richard Curtis' beloved Christmas classic to Chicago this holiday season. A live orchestra performs the film's unforgettable soundtrack including Mariah Carey's "All I Want for Christmas Is You," Craig Armstrong's soaring score, and the timeless "Love Is All Around" while the complete film is projected on a cinema screen.

LOVE ACTUALLY IN CONCERT single ticket prices, ranging from $39 to $99 with a select number of premium seats available, may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office starting tomorrow, Saturday, July 25. Additional fees apply for online purchases. LOVE ACTUALLY IN CONCERT will play one night only at the Cadillac Palace Theatre (151 W. Randolph St) on Saturday, December 12. Discounted group rates for parties of 10 or more may be purchased by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. See below for additional ticket information.

Since its release in 2003, “Love Actually” has become a modern holiday tradition, celebrated for its star-studded cast, endlessly quotable moments, and its warm portraits of love in all its forms. Written and directed by Richard Curtis, “Love Actually” follows 10 different, yet interweaving stories of love around the festive period, involving a variety of individuals, many of whom are interlinked as the plot progresses. The film features Liam Neeson, Colin Firth, Laura Linney, Bill Nighy, Martine McCutcheon, Alan Rickman, Emma Thompson, Keira Knightley, Rowan Atkinson, Martin Freeman and many more.

“LOVE ACTUALLY IN CONCERT transforms a modern Christmas classic into a shared, heartwarming, and joy-filled celebration, perfect for fans, families, and anyone who believes love, actually, is all around,” says Floris Douwes, Producer and Managing Director at GEA Live.

Over the past two decades, “Love Actually” has built a global, multi-generational fanbase and become a holiday viewing tradition for millions. Its beloved characters, memorable music, and heartfelt stories have helped cement the film as a modern Christmas classic.   The film's composer, Golden Globe®, BAFTA® and Emmy®-winning Craig Armstrong OBE, is one of the most influential voices in modern film music, known for “Moulin Rouge!,” “Me Before You,” “Elizabeth: The Golden Age,” and more.

PERFORMANCE SCHEDULE

WEEK 1

TICKET INFORMATION (as of 7/25/26, based on availability and subject to change)
Individual tickets, priced from $39 to $99 with a select number of premium seats available, go on sale tomorrow. Tickets may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office. Additional fees apply for online purchases. Discounted group rates for parties of 10 or more may be purchased by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.

Follow @BroadwayInChicago on Facebook, Instagram , TikTok, Bluesky #BroadwayInChicago

ABOUT GEA LIVE
GEA Live has established itself as the premier partner in location-based entertainment, combining creativity, excellence and credibility to deliver unforgettable events that bring iconic brands to life in all their glory. Working with renowned IPs from TV, film, theatre, music, gaming, and anime, GEA Live design, produces and distributes everything from symphonic and film concerts to immersive exhibitions and stage shows. With a vast portfolio of shows spanning more than 40 countries, GEA Live has collaborated with world-class brands like PlayStation, Avatar: The Last Airbender, Twilight, Dirty Dancing, Our Planet, and Demon Slayer, in addition to exclusively representing the legendary Ennio Morricone. As a trusted pillar of Sony Music’s Masterworks Live division, GEA Live has partnered with entertainment giants like Sony Pictures, Lionsgate, Viacom, and Warner Brothers, among others, delivering unparalleled value for licensors while further elevating the world’s most cherished brands.

ABOUT ROADCO
RoadCo Entertainment, formed in 2020, is a producing and distribution agency specializing in live entertainment experiences. A collaboration between Sony Music Entertainment and independent touring entrepreneurs Stephen Lindsay and Brett Sirota, RoadCo represents a broad roster of live events based on popular brands and intellectual properties, as well as all-new immersive and interactive attractions for audiences of all ages.

Broadway in Chicago’s latest offering at the Auditorium Theatre, & Juliet, bursts onto the stage with the kind of vibrant confidence that makes it clear this isn’t your high school Shakespeare. The production arrives as a full-throttle pop spectacle, gleefully mashing up Elizabethan trappings with late ’90s and early 2000s chart-toppers from Max Martin’s hit factory. It’s a show that knows exactly what it is: a glitter-soaked, self-aware remix of a classic that wastes no time inviting the audience into its playful rebellion against the tragic ending we’ve all been taught to accept. Since its 2019 world premiere in Manchester, & Juliet has evolved into an international hit, and this touring production carries that same electric swagger.

So, what is & Juliet? The musical tosses out the tragic final pages of Romeo and Juliet and launches into a sparkling, beat-driven alternate timeline where Juliet decides her story isn’t over. Shakespeare strides in ready to unveil his masterpiece, only to be challenged by his wife, Anne Hathaway, who argues that Juliet deserves more than a death scene. Their creative tug-of-war becomes the show’s framing device, with the couple rewriting the narrative in real time as Juliet, newly widowed, furious, and independent, sets off for Paris. Joined by the steadfast Nurse, Angélique, and May, a tender, nonbinary friend navigating their own romantic complications, Juliet begins carving out an identity that isn’t tethered to Verona’s star-crossed expectations.

Once Juliet arrives in Paris, the musical fully embraces its jukebox identity. Max Martin’s catalog - Britney Spears, Backstreet Boys, Katy Perry, Robyn, and more - becomes the emotional architecture of the plot, each anthem amplifying Juliet’s bursts of confidence, heartbreak, and rebellion. A new love interest, a handful of identity mix-ups, and the inconvenient reappearance of a very alive Romeo keep the story spinning with lively drive. Beneath the glossy sheen, the show’s core is Juliet’s reclamation of her narrative: she challenges every man, myth, and playwright who tries to script her life. Much like Greta Gerwig’s Barbie, & Juliet reframes a familiar figure by handing her the agency she was never originally given. By the final number, the musical has transformed a centuries-old tragedy into a neon-bright celebration of autonomy, reinvention, and the exhilarating freedom of choosing your own ending.

Fabiola Caraballo Quijada and the company of the North American Tour of & JULIET - Photo Credit Evan Zimmerman for MurphyMade.

Riding the show’s high-voltage spark, Joey Fatone slides into the role of Lance with an easy, self-aware charm that fits perfectly with & Juliet’s playful spirit. As a founding member of *NSYNC and a frequent Max Martin collaborator, Fatone is woven into the DNA of the musical’s soundtrack, giving his performance an extra layer of authenticity. His résumé stretches from Broadway to television to his memorable turn in My Big Fat Greek Wedding, but it’s his work here that stands out: he brings crisp, confident vocals and an easy comedic charm that consistently lifts the charge onstage. Fatone proves he’s far more than a nostalgic casting choice, emerging as one of the production’s most charismatic assets.

Fabiola Caraballo Quijada leads the company with a performance that feels like the show’s beating heart, delivering Juliet with a thrilling mix of vocal firepower and emotional nuance. She tears into Max Martin staples like “...Baby One More Time” and “Since U Been Gone” with bright, commanding vocals, then pivots into moments of vulnerability that make Juliet’s journey feel genuinely earned. Her presence centers the production, funny, fierce, and fully in control.

The supporting cast matches her drive with sharp, engaging work across the board. CJ Eldred’s Shakespeare brings a sly, lightly exasperated charm, leaning into the playwright’s ego without overplaying it, while Crystal Kellogg’s Anne Hathaway counters him with warmth, clean comic timing, and an easy wit. Together, they turn their marital back-and-forth into a steady, engaging thread that helps anchor the show’s driving rhythm and provides some of its funniest moments. Nico Ochoa’s May delivers one of the evening’s most affecting performances, especially in “I’m Not a Girl, Not Yet a Woman,” sung with disarming honesty. Joseph Torres dives gleefully into Romeo’s chaotic bravado, Noah Marlowe’s François adds irresistible comedic sparkle, and Kathryn Allison’s Angélique unleashes powerhouse vocals that stop the show in its tracks. Together, they form a tight, dynamic ensemble that amplifies Juliet’s story and keeps the production pulsing with life.

The show also finds touching emotional beats in Fatone’s Lance, whose scenes with Marlowe’s François carry a gentle, fatherly warmth that echoes the same kindness in François’s growing bond with Ochoa’s May.

Fatone and Allison’s duet on “Overprotected” is a standout, giving Lance and Angélique’s reunion a burst of humor and genuine warmth, and it’s just the start of Fatone’s musical impact throughout the night. His biggest showcase, “Teenage Dream,” becomes a warm, gently comic surprise as he embraces the Katy Perry hit with earnest, velvety vocals that give the number a sweetness you don’t see coming. Fatone may play Lance as the show’s affable comic relief, but his pop pedigree shows; every musical moment feels relaxed, lived in, and delivered with the kind of easy charisma that lifts the entire stage. It would have been nice to hear another number or two from him, especially since he proves he can still bust a move in the big ensemble dance feature “Everybody (Backstreet’s Back).”

The ensemble deserves its own praise, offering crisp harmonies, sharp choreography, and a lively spirit that keeps the show’s force surging. They match Fatone’s charisma beat for beat, creating a lively backdrop that makes each of his musical moments land even more effectively. Their collective precision and enthusiasm elevate the production, giving the score the full, joyful lift it needs.

The company of the North American Tour of & JULIET (1) - Photo Credit Evan Zimmerman for MurphyMade.

If there’s anything I’d tweak, it’s that a few of the show’s narrative threads resolve a bit quickly in Act II, especially once Romeo crashes back into the story and the plot starts juggling multiple character arcs at once. The momentum never falters, but you can feel the show accelerating to tie up loose ends, which leaves certain beats landing faster than they need to. Like many jukebox musicals, a handful of emotional moments feel shaped more by the song than the situation, and a couple of supporting journeys wrap up a bit neatly compared to Juliet’s richer, more fully realized arc. These aren’t flaws so much as brief soft spots in an otherwise confident production, but they do create moments where the storytelling feels slightly compressed next to the show’s usual clarity, wit, and spark.

Even with those brief pacing dips, the production stays remarkably unified, and much of that cohesion comes from the creative team’s razor-sharp vision and assured hand. With a book by David West Read, the Emmy-winning writer behind Schitt’s Creek, the show’s humor lands with a cheerful, contemporary snap that is clever without ever feeling smug and heartfelt without tipping into sentimentality. Luke Sheppard’s direction keeps the pace brisk and the tone delightfully self-aware, guiding the audience through rapid-fire shifts between Shakespearean parody and pop-musical exuberance. Jennifer Weber’s Emmy-winning choreography is the engine that keeps the whole thing pulsing, layering crisp, high-impact movement over Max Martin’s hits in ways that feel both nostalgic and freshly inventive. Together, they shape a production that is as smart as it is spectacular, proving that & Juliet succeeds because its creative foundation is every bit as strong as its glittery, radio-hit exterior.

What I love is how much the show feels like a full-tilt party. Throughout the night, the musical keeps slipping into irresistible, disco-bright bursts of celebration - confetti, fireworks, and bouncy dance numbers - the kind that wash over the Auditorium Theatre with a buoyant, communal energy. Even the live band, tucked out of sight, delivers with such punch that the show takes on a concert-like charge at times. By the end, the audience is on its feet, cheering as if they’ve been part of the celebration all along.

The design team behind & Juliet gives this touring production its glossy, high-octane finish, each element snapping together with precision. Soutra Gilmour’s scenic design provides a playful, ever-shifting backdrop, while Howard Hudson’s lighting drenches the stage in radiant color and concert-style intensity. Paloma Young’s costumes amplify the show’s turn-of-the-millennium exuberance, blending Shakespearean silhouettes with modern pop flair to mirror the musical’s playful collision of eras, and Gareth Owen’s sound design keeps Max Martin’s hits punchy and impeccably balanced. Add Andrzej Goulding’s video and projection work, and you get a production that feels polished, cohesive, and irresistibly alive.

& Juliet continues to light up Chicago with glitter, heart, and high-voltage joy, and this touring production proves itself an outright delight. Running July 22 through August 2, 2026, the Broadway in Chicago engagement at the Auditorium Theatre delivers a vibrant, tightly crafted experience that never loses sight of its emotional core. With a knockout lead performance, a dynamic ensemble, and a creative team working at peak imagination, this tour shows exactly why & Juliet has become one of the most irresistible modern musicals. It is a jubilant, neon-bright celebration of rewriting your own story and absolutely worth catching before it dances out of the city.

Highly recommended.

https://andjulietbroadway.com/

https://www.broadwayinchicago.com/shows/and-juliet/