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Four favorite singers of past Marriott Theatre concerts will unite on Monday, June 1 and Tuesday, June 2 for LET'S HANG ON: A ROCK 'N SOUL PARTY. Former "Jersey Boy" Michael Ingersoll (SOUTHERN NIGHTS: MICHAEL INGERSOLL SINGS GLEN CAMPBELL), Eric Gutman (HELLO AGAIN: ERIC GUTMAN SINGS NEIL DIAMOND), John-Mark McGaha (SOMEDAY AT CHRISTMAS: JOHN-MARK MCGAHA SINGS STEVIE WONDER), and John Michael Dias (BREAKING UP IS HARD TO DO: JOHN MICHAEL DIAS SINGS NEIL SEDAKA) will join forces to present such hits by some of the most popular artists of the 1960s and 1970s. This quartet of Broadway rockers invites you to share in the laughter, camaraderie, and feel-good anthems of yesterday, like Frankie Valli and The Four Seasons' "Walk Like a Man," Marvin Gaye's "Heard It Through the Grapevine," Ike and Tina Turner's "Proud Mary," Billy Joel's "Uptown Girl," Neil Diamond's "Sweet Caroline," and many others.

Performances are Monday, June 1 at 7:00 pm and Tuesday, June 2 at 1:00 pm. Additional seats have been made available for both performances.

LET'S HANG ON is one in the series of Marriott Theatre special concerts in 2026. Concerts coming up later this year include:
• FRIENDS IN LOW PLACES: BRANDON BENNETT SINGS GARTH BROOKS – September 14 and 15, 2026
• A MOTOWN CHRISTMAS WITH CHESTER GREGORY – December 14 and 15, 2026
Tickets for LET'S HANG ON and the other above-mentioned concerts start at $65.00 plus taxes and fees and are available at tickets.marriotttheatre.com, by phone at 847-634-0200, or at the Marriott Theatre Box Office.
LET'S HANG ON: A ROCK 'N SOUL PARTY
Show Type:
Concert (G)
Date and Times:
Monday, June 1 at 7:00 pm
Tuesday, June 2 at 1:00 pm
Location:
MARRIOTT THEATRE, 10 Marriott Drive, Lincolnshire, IL 60069
Webpage: https://www.marriotttheatre.com/show/lets-hang-on-a-rock-n-soul-party

Description: A quartet of Broadway rockers promise to get your pulse pounding with high-octane hits! You're invited to party with former stars of JERSEY BOYS and PBS television's vocal-group sensation Under the Streetlamp. Kings of retro-rock Michael Ingersoll, Eric Gutman, John-Mark McGaha, and John Michael Dias invite you to share in the laughter, camaraderie, and feel-good anthems of yesterday. Backed by a killer band, songs include "Walk Like a Man," "Heard It Through the Grapevine," "Proud Mary," "Uptown Girl," and "Sweet Caroline." Presented by Artists Lounge Live.

Published in Upcoming Theatre
Friday, 08 December 2017 17:32

Beautiful: The Story of a Natural Woman

While I’d yet to see Beautiful: The Carole King Musical since it premiered to much acclaim (and a U.S. tour) a couple years ago, I entered the Cadillac Palace Theatre for its latest Chicago debut a lifelong Carole King fanboy. I knew her songs. I knew her story. But for a couple hours on Wednesday night, the cast of this latest touring production made me feel like I knew her.

But first, those songs. The audience, young and old, knew them all. The older ones, the ones who’d been there the first time around, giggled with nostalgia. And the rest of us – who know them from parents, from oldies radio, from YouTube, from simply being alive – were every bit as thrilled. From John Michael Dias’ mugging Neil Sedaka singing “Oh Carol” on national TV to his former high school flame, Carole Klein, to the ensemble’s medley of Brill Building tunes love-potioning and splish-splashing and yakkity-yakking, we were all Boomer kids taken back to a not-simpler time.

The real standouts of this jukebox time machine were two vocal quartets. Playing the parts of The Shirelles, Little Eva and her backing singers, and Janelle Woods and her own group, McKynleigh Alden Abraham, Traci Elaine Lee, Marla Louissaint, and Alexis Tidwell were magic as they brought classic takes on King’s “Will You Love Me Tomorrow” and “One Fine Day.” The dresses, the elegant moves, the wedding chapel harmonies, and those songs. Wow. They were only equaled by their male counterparts – Josh Dawson, Jay McKenzie, Avery Smith, and Kristopher Stanley Ward – whose coiffed hairdos, satin suits, and smooth moves as The Drifters made it look so easy as they doo-wopped and stepped to “Some Kind of Wonderful” and “Up on the Roof.” But Ms. King’s songs weren’t the only ones on display. While The Drifters did a nifty walk down Weil and Mann’s “On Broadway,” the rival songwriting duo’s “You’ve Lost That Lovin’ Feeling” was retaken from Tom Cruise’s boozy Top Gun barroom ballad by Matt Faucher and Dias again as The Righteous Brothers. Faucher’s baritone filled the Cadillac, and Dias’ high harmonies brought it home. Again, wow. Wish I’d been there the first time around, but this cast showed off their chops while paying quite a tribute to the classic songs and their songwriters who the story’s about.

And about that story. Again, as a fan, I knew the outline: NYC kids slave away in a Times Square hit-making sweatshop, soundtrack a generation, and one of them makes it big herself later on. But the main cast fleshed out the story’s characters. They took them from characters to people. James Clow’s gum-chewing, contract-signing Don Kushner was intimidating but encouraging. Sarah Goecke’s witty, Cole-Porter-wannabe wordsmith, Cynthia Weil, was a woman ahead of her time. Jacob Heimer’s neurotic lady’s man, Barry Mann, made you root for him. And Andrew Brewer’s smoldering but sensitive Gerry Goffin made you swoon, even as you knew the dirty dog was sneaking around on his Carole.

And Carole. Oh, Carole. As Neil Sedaka sang, “there will never be another.” And throughout the show, lead Sarah Bockel not only proved Sedaka right, giving us Carole King’s look and playing and voice, she gave us Carole Klein, the person. Many talented performers could probably approximate King’s hair or her vocals. But Bockel went beyond that, giving us the perky and precocious 16-year-old writing those hits and falling for that hunk. She gave us the broken but devoted young mother finding out not just who she’s married to – Bockel and Brewer’s chemistry was very sweet and seemed very real – but who she herself is. And she gave us that self, finally confident to write her own words, to tell her own story, to sing it loud, for a crowd, for us. And that story, of a woman claiming her soul from the lost and found and using it to give voice to not just a generation, but many generations to come, was what wowed the Cadillac’s crowd the most. The voices will make you applaud. The songs will make you nostalgic. But the story this cast and their show tell of this natural woman, this national treasure, will make you feel. It made me feel.

For more show information visit www.broadwayinchicago.com.

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