Displaying items by tag: Marriott theatre

"On the Town" with music by Leonard Bernstein; book and lyrics by Tony-winning writing partners Betty Comden and Adolph Green is about to be staged on Broadway but the Marriott Lincolnshire has beat Broadway to the punch with this thoroughly entertaining and beautifully staged rendition which has never before been staged in Chicago.

Three young sailors arrive in New York City with just one night, 24 hours to have fun and find love hopefully in the arms of one young lady named "Miss Turnstiles" for the month of June. "On the Town" really captures the frantic energy of youth and love, when every hour of your life, indeed every minute counts desperately to you as life calls you to return to work, or other duties forcing you to leave your hopes and dreams behind. 

The two young leads, Max Clayton & Alison Jantzie are both very, very talented young dancers and singers.  Alison Jantzie is lovely and is absolutely delightful in her role as "Miss Turnstiles" a struggling actress who is bullied into burlesque dancing as a way to stay afloat in the big city.

Marya Grandy and Johanna McKenzie Miller were perfectly cast as the other two female leads. Grandy and Miller are both mature actresses with great voices and superb comic timing which held the whole show together and gave it real belly laughs and heart as well.

Alex Sanchez’s choreography and director David H. Bell use the intimate space at Marriott Theatre to their full advantage filling the stage with 22 dancers and some of the most exciting and even classically erotic ballet and modern dance numbers I have seen in a long time. 

Nancy Missimi’s period costumes are so much fun to watch on the dancers. I absolutely love this period of fashion especially for the women Thomas M. Ryan’s brightly light New York City  set caught my eye even before I entered the theatre and utilizes a turntable effect to show cabs driving through the city and other action in a fun and exciting way visually.

I highly recommend seeing "On the Town" while it is here in Chicago. "On the Town” is a funny, and romantic way to end the summer and remind yourself that life goes by fast, you have to get out "On the Town" once in a while to really celebrate it!

“On the Town” is playing at Marriott Theatre in Lincolnshire through October 12^th. For tickets and/or more information, visit www.marriotttheatre.com.

I was eager to see the show but felt really bad as I settled into my seat for the opening night of GODSPELL at The Marriott Theatre in Lincolnshire. Pain was shooting through my legs, and my mind was overwhelmed after yet another day of wrangling with difficult business decisions. But by the time I left the theatre I genuinely felt uplifted and renewed by the youthful and fresh energy and the heartfelt message of hope in Jesus that poured out of this production.

The cast could have, and maybe should have, been cast older; except for two token adults most of the cast seemed straight out of high school or college. Their voices were fantastic in the way singers on American Idol are, but as soon as they formed the Tower of Babel as 9 to 5 city workers dressed in black and grey, I thought what do these kids know about how hard the workplace is?  Later during the heavier scenes regarding Jesus’ scourging and crucifixion I thought, what do these kids know about loss? Though one thing this young cast did have was talent – and plenty of it.

Brian Bohr played the role of Jesus.  I was at first shocked and taken aback by a Jesus who resembled a 22 year old, baby-faced, California surfer kid wearing a sky blue preppy polo shirt. But Bohr’s rich, smooth voice and determined lightheartedness eventually won me over. Although I was surprised by Bohr's youthful appearance and super clean cut costume and looks, I grew to enjoy his interpretation of the role because it reflected on just how very strong and happy Jesus must have been during his early ministry before he was attacked and weighed down with betrayal.

Samantha Pauly had the most dynamic voice of the women and did a great job with the humor and tone of “Turn Back O Man”. At the same time, Devin DeSantis who had more of the hippy, wildman look I would have expected from Jesus, also had a great rich voice and made a very sympathetic Judas. The numbers were exciting and colorful, especially “O Bless the Lord My Soul” where golden hula hoops were incorporated into the dance choreography and “Light of the World” that really had the audience toe tapping and nodding their heads to the beat.  

As always I thoroughly enjoyed the use of the intimate space at The Marriott Theatre and all of the colorful ways the entire theatre was decorated with multicolored plastic drinking cups sticking out of fence walls like a rainbow. I noticed that most of the audience seemed to feel the same way, as more people were laughing and chatting after the show rather than stretching and yawning on a weeknight and rushing to get home.

Overall this is a great production that is perfectly suited for everyone. Even the crucifixion scene was exceptionally light and non-violent as Jesus is tied up and crucified with blue and white silks suspended from the ceiling.  I especially recommend this as a children’s theatre production for parents who want to take their children to an adult theatre piece with a great message about Jesus and the Gospel of John and Luke that will be very clean and cheerful all the way through.

GODSPELL is playing at The Marriott Theatre in Lincolnshire though August 10^th. For tickets and/or more information, visit www.marriotttheatre.com. 

If you've never seen Cats before, or if like me you have seen Cats many times over the years, this is the production of Cats you should make the effort to take your whole family to enjoy. This production was skillfully and joyfully directed and choreographed by Marc Robin. Robin does a fantastic job of bringing Cats, the second longest-running musical in Broadway history to life.

The Marriott Lincolnshire Theatre is hands down one of the best venues to see musical Theatre in the Chicago area. The space is cozy and houses an intimately sized ‘Theatre in the round’ and director Robin uses every single inch of the space to bring the mystifying and heartwarming movement of real cats to life. I was completely enamored by the way cast members mingled with the audience throughout the show just as cats mingle and cuddle and caress us at home. By leaving some groupings of seats empty and allowing the performers to perch and watch the goings on from the carpeted aisles at our feet and even in our laps occasionally, we got to feel both part of the show and as though the performers had truly become the graceful and mystical creatures they were portraying.

The dancing and choreography is spectacularly playful and impressive. This production really captures the magical quality of cats. If dogs reflect the qualities in human beings that are childlike and innocent throughout life, then cats surely reflect human beings when they reach maturity and progress into old age. The variety of cats portrayed from plump, round and lazy to skinny, aged and falling apart really help humans identify themselves as loveable, and salvageable even with all their odd foibles, scars and matted fur.

The enchanting and complex lyrics of Cats are all based on poetry, the enchanting poems of T.S. Eliot. The “Jellicle Songs” introduces the audience to the wonderful cast of cat characters who are about to attend the mystical tradition of a cats-only “Jellicle Ball”. At this magnificent dancing cat ball held in the middle of night by the light of a full moon, their elder cat, Old Deuteronomy selects one worthy cat to be re-born.

The hit song, “Memory” is sung by Grizabella, the chosen cat. It is essential that this song, which is the catharsis and climax of Cats, is sung by a mature vocal performer whose voice really soars and Heidi Kettenring (with six Jeff nominations, Man of Steel) really knocked it out of the park with her vocally rich and moving rendition in this production.

There is a universal appeal to this show, which has maintained its second position in popularity on Broadway for 23 years between Phantom of the Opera and Chicago. “Cats” makes you feel good about being who you are no matter what odd type of cat you have matured into when you attend the “Jellicle Ball”.

Cats and their mysterious, unpredictable feline natures are often identified with the female human, and sometimes in negative ways like the terms ‘catty’, ‘cat fight” or the myth that black cats bring bad luck.  In a way, “Cats” has a wonderful underlying feminist message to embrace the female, the changeable, and the vulnerable in our psyches.

 “Cats” the musical, with its challenging dance numbers throws all those negative myths right out the window and reminds us to embrace the marvelous grace, the ballet of acrobatics, that cats hypnotize us with and not to fear it.

Kudos to EACH of the talented dancers in this production, and also to set designer Thomas M. Ryan, and costume designer, Nancy Missimi, for bringing the exciting, loveable and playful nature of actual cats to life so fully in this production.

“Cats” is being performed at Marriott Theatre in Lincolnshire through May 25^th. For tickets and/or more information, visit www.marriotttheatre.com.

Just 30 minutes north of Chicago is a fantastic place to see some really amazing shows in the round. One of those shows is currently playing at the Marriott Theatre in Lincolnshire through October 13^th – “9 to 5 the Musical”. Based on the wacky 80s film starring Dolly Parton, Jane Fonda, Lilly Tomlin and Dabney Coleman, Parton has created and score that is as clever as it is upbeat.

It is an age when a woman taking a CEO position was unthinkable, a man’s world where women were merely underlings and often objectified. Welcome to the workplace in the 1970s and the fight for women’s rights. In “9 to 5” we meet three improbable friends who are bonded when they each have to put up with their abusive, sexist and egotistical boss, “Franklin Hart Jr.”. Enough is finally enough when the three kidnap their boss and seize control of the office. When their new ideas are implemented, we see the office change from a sexist and petty rule-ridden atmosphere into a place where employees enjoy coming to work and productivity skyrockets.  

“9 to 5” is funny and flat out entertaining.  The cast features two Jeff Award winners in Kelli Cramer (Violet Newstead”) and Susan Moniz (“Judy Bernly”} and each are as sensational with their impressive vocals as they are with their humorous line delivery. Alexandra Palkovic is also stunning as “Doralee Rhodes” and has just the right amount of country and vocal talent to gracefully pull off the signature role made famous by Dolly Parton.  Of course, for the play to succeed a strong talent would be needed to take on the role of “Franklin Hart Jr.” and they certainly cast well in bringing in James Moye, whose presence couldn’t have been more fitting.  

David H. Bell, who so brilliantly directed “South Pacific” at Marriott Theatre last year, does it again in his creative direction of “9 to 5”. At the same time, Matt Raftery gets big kudos for his wonderful choreography. A charming workplace revenge story, “9 to 5” not only salutes women’s rights but even promotes the legalization of marijuana. This is a fun, toe-tapping show that doesn’t make you think too much. It’s the perfect show to just simply relax and have a good time. Then you can go home and have your own revenge fantasy with your boss.

“9 to 5 the Musical” is playing a Marriott Theatre in Lincolnshire through October 13^th. Tickets range from $40-$48. For more information, please visit www.MarriottTheatre.com or call 847-634-0200.