Displaying items by tag: Edie Brickell
BoHo Theatre’s Bright Star Sparkles Like a Meteor Shower
Bright Star, the Steve Martin-Edie Brickell show that earned musical acclaim in its New York Broadway run, is destined for a love affair with Chicago for Boho Theatre's producion.
The show opened Saturday like a meteorite, sparks flying as the company marched on stage in powerful harmony for its opening, "If You Knew My Story." Then we hear those clarion chords as Missy Wise strides into view, and into our hearts – in a penetrating soprano sailing above the chorus, tuned to a rapid country vibrato that channels Reba McIntyre, Alison Krause and Tammy Wynette, only more dulcet and beautiful. It makes you cry it is so good. And they are only one minute into the number. Phew!
Maybe in Manhattan Bright Star wasn’t approached just right, because they only liked it - or more likely New York is the wrong market. Bright Star is a serious drama, a timeless morality play and a country music operetta all at once – based loosely on the true story of a lost baby (the Iron Mountain Baby), the emotional toll for those involved, and in this telling, delivering a satisfying ending that brings redemption and healing.
The story covers decades, following teenagers Jimmy Ray (Josiah Robinson) and Alice (Missy Wise) who had a baby out of wedlock and were forced by their families to split, and give up the child. But the flame never died, and the two searched for the child and each other for nearly 20 years.
While at times the book is flaccid and goes a little astray it does not matter - the story is inherently engrossing, and the songs so beautiful and dramatically expressive they carry the show. Treading carefully to avoid a spoiler, we can say Bright Star is exceptionally well cast, with a knockout performance by Jeff Piermont as Billy, a GI home from WWII and beginning a writing career.
Steve Martin’s hand can be seen in witty scenes, and some colorful, scene-stealing characters – including Daryl (Dwayne Everett) and Lucy Grant (Rachel Whyte), co-workers at the publishing house where much of the action happens.
Martin and his musical partner Edie Brickell insert the band as a character, fitting for a country-inflected musical. Though the band mostly next to and behind the stage, Hillary Bayley on fiddle and other players appear with the cast at various points.
We watch the teens become adults. Jimmy Ray is heir to a family fortune and business; Alice gets a degree and becomes a celebrated editor at a prestigious Asheville publishing house – one known for shepherding emerging Southern writers (Eudora Welty, William Faulkner, Zora Neal Hurston, Flannery O’Connor, etc.). On stage, Wise and Robinson have real chemistry together, making their story even more compelling.
Director and choreographer Ericka Mac knows her way around Chicagoland musical theater (among many credits are Parade and Company at Writer’s Theatre), but this Greenhouse Production is perhaps the most intimate space – and she has made the most of it. Scenic design is by Lauren Nichols and lighting is by G. Max Maxin. Costumes, important to the settings and action, and sometimes changed onstage mid-action, are by Robert Kuhn.
Bright Star is highly recommended. It runs through May 5 at the Greenhouse Theater Center, 2257 N. Lincoln, Chicago.
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