
I thoroughly enjoyed Drury Lane's enchanting stage production of Disney’s The Little Mermaid from start to finish. While few are overly familiar with Hans Christian Andersen’s original, darker tale of ill-fated romance, the Disney animated film and this stage adaptation, with a book by Doug Wright and music by Alan Menken, lyrics by Howard Ashman and Glenn Slater, beautifully transform the fairytale into a heartwarming story of love and triumph for the heroine, Princess Ariel.
The mermaid Ariel, portrayed with sunny enthusiasm and skillful vocal stylings by Sarah Kay, is a Princess and the beloved daughter of King Triton, convincingly played by Anand Nagraj. Ariel is captivated by the world above the waves, yearning to experience the sunshine and the joy of walking through green fields. Her fascination with the human world deepens when she falls in love from afar with a human prince.
During a fierce storm, Ariel saves the Prince from drowning, and in that moment, she finds herself falling for him. The Prince, portrayed with sensitivity and earnestness by Patrick Johnson, is captivated by the voice of his rescuer, though he never sees her face as Ariel swiftly returns to the sea, hiding her mermaid identity.
The chemistry between Kay and Johnson enriches their characters, making their blossoming romance both believable and heartfelt. Kay's Ariel exudes innocence and curiosity, while Johnson's Prince captures sincerity and a deep longing to find the mysterious singer who saved his life.
King Triton, wary of humans and deeming them dangerous, has commanded his daughters to stay away from them. This forces Ariel to make a desperate deal with Ursula—her powerful, estranged, octopus-like aunt, who was once banished by King Triton, her brother.

Anand Nagraj as King Titan and Michael Earvin Martin as Sebastian.
Ursula, portrayed by Sawyer Smith, casts a spell on Ariel, compelling her to give up her extraordinarily beautiful voice in exchange for a chance at love. Ariel must win the heart of the Prince, who must love her so deeply that he is compelled to kiss her. Only True Love's kiss can break Ursula's twisted spell. If Ariel fails to find true love and receive the Prince's kiss, she will be banished to the underworld, and Ursula will claim her soul. Sawyer Smith, as Ursula, is a showstopper! Smith's costumes, makeup and movements are menacing, powerful, yet glamorous all at the same time. Smith’s talent is fully on display during a commanding rendition of “Poor Unfortunate Souls.”
The cast delivers uniformly strong performances throughout. Matt Edmonds also stands out with his impeccable comic timing as Chef Louis, eliciting plenty of hearty laughs with his hilarious solo number “Les Poissons.”
I valued the emphasis placed on the power of a single woman’s voice and the profound impact of a young woman losing her voice, especially in today’s context. It was heartwarming to see so many young girls in the audience, their faces glowing with delight. They were captivated by the show's humor and romance, yet also deeply moved to tears by the poignant theme of Ariel sacrificing her voice to win the love of a man.
This production, under the skillful direction of Scott Weinstein, with choreography by Kasey Alfonso and a vibrant set designed by Tijana Bjelajac, excels in providing delightful musical theater entertainment for both children and adults. It is truly a pleasure to watch.

Patrick Johnson as Prince Eric and Sarah Kay as Ariel.
The puppetry in this production was extraordinary, among the finest I've seen on a Chicago stage. For instance, the two eels, Ursula’s sinister accomplices, glide gracefully through the audience and across the stage with glittering lights encased in sheer black chiffon, creating an absolutely magical effect. The puppet characters were all exceptionally well played and designed. Notable performances include Sebastian (Michael Earvin Martin), Scuttle (Landree Fleming), Flounder (Maya Lou Hlava), Jetsam (Ryan Michael Hamman) and Flotsam (Leah Morrow). The impressive puppet design was crafted by Chicago Puppet Studio, Caitlin McLeod, and Zachary Sun.
The set design, featuring the imaginative light projections by Anthony Churchill and the atmospheric lighting by Ryan O’Gara, brilliantly conveyed the sensation of being under the ocean. Their work uniquely and creatively transported the audience to an enchanting underwater world, making the experience both magical and mesmerizing.
The Little Mermaid is a fantastic ensemble piece, and the entire cast brings the house down with their rousing, colorful, and energetic group number in “Under The Sea.” This performance beautifully captures the splendor of the mermaid's underwater home and castle, making it a mesmerizing highlight.
I highly recommend this colorful, ingenious, and lively production for audiences of all ages who wish to experience one of their favorite Disney fairytales come to life!
Disney’s The Little Mermaid is being performed at Drury Lane Theatre in Oakbrook through January 12th. For tickets and/or more show information, visit https://drurylanetheatre.com/the-little-mermaid/.
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
Lookingglass Theatre Company presents Ice Cream Circus! 2026, a free, family-friendly theatrical event presented as part of the Chicago Park District's Night Out…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Chicago City Opera (CCO) presents one of late-Romantic composer Richard Strauss' most beloved works, Der Rosenkavalier. In CCO's signature pared…
Award-winning Porchlight Music Theatre announces today that the recent stars of Porchlight in Concert’s production of Follies, Tony Award-nominee Felicia P. Fields and Broadway’s…
Hot off their record-breaking, award-winning runs of Jekyll & Hyde and Amélie, Kokandy Productions is pleased to launch its 2026 Season with the revolutionary "love-rock"…
Babes With Blades Theatre Company’s (BWBTC) 2026 season opens with a world premiere, yo ho., by playwright SMJ, directed by JD Caudill and fight choreography by Carly…
PrideArts announced today that Craig Ramsay and Catherine Wreford will bring the magic of Broadway to the Hoover-Leppen Theatre at…
Music Theater Works is proud to announce the cast and creative team for the second production of its 2026 season, West Side…
David Koechner stormed into The Den Theatre’s Mainstage this weekend with the kind of unruly, big‑hearted presence that instantly reminded…
Chicago continues to produce some of the most exciting work in the country this Summer, offering a wide variety of plays…
Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile…
Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to…
Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through…
Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange…
Following a critically-acclaimed, sell-out run of Just For Us at Steppenwolf Theatre and around the globe, Tony and Emmy Award-winning comedian Alex Edelman returns…
On the heels of an unprecedented Centennial Season, Goodman Theatre sets a bold stage for its second century. Walter Artistic…
Black Button Eyes Productions has announced it will follow up its hit co-production (with City Lit Theater) of STRANGE CARGO:…
Chicago Shakespeare Theater (CST) announces the return of Jason Alexander for a special event, As Long As You're Asking: A Conversation with Jason Alexander.…
For its 13th free summer production, Midsommer Flight will present one of Shakespeare's most highly regarded and popular comedies. AS YOU…
Chicago Magic Lounge, Chicago's home for close-up magic, announces the return of world-renowned magician Ondřej Pšenička in a limited run of his hit…
Porchlight Music Theatre is proud to announce the return of its free summer concert series Broadway in your Backyard, July 6 - September…
Chicago’s Shattered Globe Theatre announced today that Ian Frank has been selected, following a national search, to be the company’s…
Opera Festival of Chicago opens its 2026 festival season with Very Verismo!, that includes a VIP reception and a captivating concert celebrating…
Two actors. One has rehearsed the play. The other has neither seen nor read it. A different performer joins the…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
If you’ve ever worked in an urban coffee shop, chances are you’ve encountered at least one ultra-paranoid kook who believes…
Marking Rocky’s 50th anniversary, Rocky in Concert arrived at the Auditorium Theatre in a highly anticipated Auditorium Philms presentation featuring…
Can you have a play run 90 minutes with no dialog? Indubitably, as Trap Door Theatre demonstrates with its new…
Announcing the 2026 Broadway In Chicago Summer Concert
Chicago City Opera presents 'Der Rosenkavalier' June 5
Porchlight Announces Felicia P. Fields and Anthony Rapp join its Artistic Advisory Board
Babes With Blades presents the world premiere premiere of yo ho., July 19 - August 29
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.